Ulteriori informazioni
Shortlisted for the Booker Prize.
In a small East Anglian town, Florence Green decides, against polite but ruthless local opposition, to open a bookshop.
Hardborough becomes a battleground. Florence has tried to change the way things have always been done, and as a result, she has to take on not only the people who have made themselves important, but natural and even supernatural forces too. Her fate will strike a chord with anyone who knows that life has treated them with less than justice.
Info autore
Penelope Fitzgerald (1916 - 2000) studierte in Oxford und war während des Zweiten Weltkrieges Mitarbeiterin bei der BBC. Sie war Dozentin an der Italia Conti Academy und an der Queen's Gate School in London, außerdem arbeitete sie einige Jahre in einer Buchhandlung in Southwold, Suffolk. Sie gehört laut Times zu den wichtigsten englischen Autoren nach 1945. 1979 wurde sie mit dem renommierten Booker Prize und 1998 als erste nichtamerikanische Autorin mit dem amerikanischen National Book Critics Circle Award for Fiction ausgezeichnet.
Riassunto
In a small East Anglian town, Florence Green decides, against polite but ruthless local opposition, to open a bookshop. Hardborough becomes a battleground, Florence has tried to change the way things have always been done, and as a result, she has to take on not only the people who have made themselves important, but natural and even supernatural forces too. Her fate will strike a chord with anyone who nows that life has treated them with less than justice. Part of a major reissue programme.
Relazione
'Reading a Penelope Fitzgerald novel is like being taken for a ride in a peculiar kind of car. Everything is of top quality - the engine, the coachwork and the interior all fill you with confidence. Then, after a mile or so, someone throws the steering-wheel out of the window.' Sebastian Faulks
'Wise and ironic, funny and humane, Fitzgerald is a wonderful, wonderful writer.' David Nicholls
'Its stylishness, and this low-voiced lack of emphasis are a pleasure throughout, its moral and human positions invariably sympathetic. But it is astringent too: no self-pity in its self-effacing heroine, who in a world of let-downs and put-downs and poltergeists, keeps her spirit bright and her book-stock miraculously dry in the damp, seeping East Anglian landscape.' Isabel Quigley, Financial Times
'Penelope Fitzgerald's resources of odd people are impressively rich. Raven, the marshman, who ropes Florence in to hang on to an old horse's tongue while he files the teeth; old Brundish, secretive as a badger, slow as a gorse bush. And this is not just a gallery of quirky still lives; these people appear in vignettes, wryly, even comically animated...On any reckoning, a marvellously piercing fiction.' Valentine Cunningham, TLS
