Fr. 124.00

Epistolarity and World Literature, 1980-2010

Inglese · Copertina rigida

Spedizione di solito entro 6 a 7 settimane

Descrizione

Ulteriori informazioni

This book examines the striking resurgence of the literary letter at the end of the long twentieth century. It explores how authors returned to epistolary conventions to create dialogue across national, linguistic and cultural borders and repositions a range of contemporary and postcolonial authors never considered together before, including Monica Ali, John Berger, Amitav Ghosh, Michael Ondaatje and Alice Walker. Through a series of situated readings, the book shows how the return to epistolarity is underpinned by ideals relating to dialogue and human connection. Several of the works use letters to present non-anglophone material to the anglophone reader. Others use letters to challenge policed borders: the prison, occupied territory, the nation state. Elsewhere, letters are used to connect correspondents in different cultural and linguistic contexts. Common to all of the works considered in this book is the appeal that they make to us, as readers, and the responsibility they place on us to respond to this address.
By taking the epistle as its starting point and pursuing Auerbach's speculative ideal of weltliteratur, this book turns away from the dominant trend of 'distant reading' in world literature, and shows that it is in the close situated analysis of form and composition that the concept of world literature emerges most clearly. This study seeks to re-think the ways in which we read world literature and shows how the literary letter, in old and new forms, speaks powerfully again in this period.

Sommario

Acknowledgements.- Introduction.- Chapter One: Prison Letters and Epistolary Encryption: John Berger's From A to X (2008).- Chapter Two: Searching for Letters in the Archive: Amitav Ghosh's In An Antique Land (1992) and Michael Ondaatje's In the Skin of a Lion (1987).- Chapter Three: Writing to the Future: J.M. Coetzee's Age of Iron (1990).- Chapter Four: The Limits of the Letter: Alice Walker's The Color Purple (1982).- Chapter Five: Crossing the seven seas: transnational and cross-linguistic dialogue in Monica Ali's Brick Lane (2003).- Conclusion.- Notes.- Bibliography.

Info autore

Rachel Bower is Leverhulme Early Career Research Fellow at the University of Leeds, UK. She is currently writing a book entitled Transcultural Collaboration: Poets of Leeds and Nigeria Unite, 1950-1970. She has a PhD from the University of Cambridge. She writes regularly for academic journals and magazines and publishes her poetry widely. She is currently co-editing a Special Issue of English Studies on Tony Harrison with Jacob Blakesely, and co-ediitng a poetry anthology with Helen Mort (Moons on Glass, 2017).

Riassunto

This book examines the striking resurgence of the literary letter at the end of the long twentieth century. It explores how authors returned to epistolary conventions to create dialogue across national, linguistic and cultural borders and repositions a range of contemporary and postcolonial authors never considered together before, including Monica Ali, John Berger, Amitav Ghosh, Michael Ondaatje and Alice Walker. Through a series of situated readings, the book shows how the return to epistolarity is underpinned by ideals relating to dialogue and human connection. Several of the works use letters to present non-anglophone material to the anglophone reader. Others use letters to challenge policed borders: the prison, occupied territory, the nation state. Elsewhere, letters are used to connect correspondents in different cultural and linguistic contexts. Common to all of the works considered in this book is the appeal that they make to us, as readers, and the responsibility they place on us to respond to this address.
By taking the epistle as its starting point and pursuing Auerbach’s speculative ideal of weltliteratur, this book turns away from the dominant trend of ‘distant reading’ in world literature, and shows that it is in the close situated analysis of form and composition that the concept of world literature emerges most clearly. This study seeks to re-think the ways in which we read world literature and shows how the literary letter, in old and new forms, speaks powerfully again in this period.

Testo aggiuntivo

“Rachel Bower’s Epistolarity and World Literature maintains a sustained focus on the resurgence of epistolary elements in recent Anglophone fiction. This turns out to be a remarkably productive methodological choice. … The book is a masterful performance of comparative generosity, a generosity it shares with the some of the best world literature scholarship out there, or indeed with the cosmopolitan intellectual tradition the field updates.” (Pieter Vermeulen, English Studies, November 27, 2018)

Relazione

"Rachel Bower's Epistolarity and World Literature maintains a sustained focus on the resurgence of epistolary elements in recent Anglophone fiction. This turns out to be a remarkably productive methodological choice. ... The book is a masterful performance of comparative generosity, a generosity it shares with the some of the best world literature scholarship out there, or indeed with the cosmopolitan intellectual tradition the field updates." (Pieter Vermeulen, English Studies, November 27, 2018)

Dettagli sul prodotto

Autori Rachel Bower
Editore Springer, Berlin
 
Lingue Inglese
Formato Copertina rigida
Pubblicazione 31.07.2017
 
EAN 9783319581651
ISBN 978-3-31-958165-1
Pagine 215
Dimensioni 153 mm x 220 mm x 18 mm
Peso 390 g
Illustrazioni XII, 215 p. 2 illus.
Serie New Comparisons in World Literature
New Comparisons in World Literature
Categorie Scienze umane, arte, musica > Scienze linguistiche e letterarie > Letteratura generale e comparata

B, Literature, Comparative Literature, Literature, Cultural and Media Studies, Literature, Modern—20th century, Twentieth-Century Literature, Literary studies: c 1900 to c 2000, Postcolonial/World Literature, Letters;Genre;Philology;Capital;Anglophone

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