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"My language is visual. I'm neither a sociologist, nor a journalist, nor an anthropologist-well, perhaps marginally so." Christine Turnauer is a photographer with a passion. Her fascinating images focus on that which is magically unusual about everyday life. She has applied this approach to her latest series of photographs detailing her search for Roma history. Her documentation begins in Gujarat and Rajasthan in northwestern India, where the European Roma have their roots. There, she meets camel dealers, basket weavers, acrobats, and musicians-representatives of the professions she consistently encountered as she traced the Roma through Hungary, Romania, Montenegro, and Kosovo. The results of her travels are photographs whose fairytale-like quality conceals the stories of suffering contained within-stories that emerge when the marks of poverty or war injuries come to light.
Info autore
Karl-Markus Gauß, geb. 1954, schreibt für große Zeitungen wie die 'ZEIT', die 'FAZ', die 'NZZ' und 'Die Presse'. Er ist Autor und Herausgeber der Zeitschrift 'Literatur und Kritik' und lebt heute in Salzburg. Der Essayist erhielt 2006 für sein Gesamtwerk den 'Georg-Dehio-Buchpreis' des Deutschen Kulturforums östliches Europa sowie den 'Manès-Sperber-Preis', 2007 den 'Mitteleuropa-Preis' und 2009 den 'Donauland-Sachbuchpreis'. Im Jahr 2010 wurde ihm der Johann-Heinrich-Merck-Preis für literarische Kritik und Essay verliehen, 2014 der Österreichische Kunstpreis in der Kategorie Literatur.
Riassunto
“My language is visual. I’m neither a sociologist, nor a journalist, nor an anthropologist—well, perhaps marginally so.” Christine Turnauer is a photographer with a passion. Her fascinating images focus on that which is magically unusual about everyday life. She has applied this approach to her latest series of photographs detailing her search for Roma history. Her documentation begins in Gujarat and Rajasthan in northwestern India, where the European Roma have their roots. There, she meets camel dealers, basket weavers, acrobats, and musicians—representatives of the professions she consistently encountered as she traced the Roma through Hungary, Romania, Montenegro, and Kosovo. The results of her travels are photographs whose fairytale-like quality conceals the stories of suffering contained within—stories that emerge when the marks of poverty or war injuries come to light. (German edition 978-3-7757-4306-8)