Ulteriori informazioni
In
Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses.
Sommario
Introduction: From Visual Evidence to Visual Discourse
Desmond Manderson Part I
Representations. The origins of legal modernity from the 16th - 19th Centuries
1. Blindness Visible: Law, Time, and Bruegel's Justice
Desmond Manderson 2. Face and Frames of Government
Peter Goodrich 3. An Emblematic Representation of Law: Hogarth and the Engravers' Act
Cristina S. Martinez 4. Law and the Revolutionary Motif after Jacques-Louis David
Morgan Thomas 5. Legal Imagery on the Edge of Symbolism: The Decoration Projects for the Belgian Cour de Cassation
Stefan Huygebaert 6. The Visual Force of Justice in the Making of Liberia
Shane Chalmers Part II
Technologies. Excesses of legal modernity in the 20th Century
7. 'You Will See My Family Became So American': Race, Citizenship and the Visual Archive
Sherally Munshi 8. From Sentimentality to Sadism: Visual Genres of Asylum Seeking
Honni Van Rijswijk 9. Images of Victims: The ECCC and the Cambodian Genocide Museum
Maria Elander 10. The Exceptional Image: Torture Photographs from Guantánamo Bay and Abu Ghraib as Foucault's Spectacle of Punishment
Connal Parsley Part III
Critique: Irony and legal modernity in the 21st Century
11. T-Shirt's Guevara: The Visual Jurisprudence of the New Man
Luis Gómez Romero 12. The Art of Bureaucracy: Redacted Ready-mades
Katherine Biber 13. Illicit Interventions in Public Non-Spaces: Unlicensed Images
Alison Young What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence
Richard K. Sherwin
Info autore
Desmond Manderson is a professor in the ANU College of Law and College of Arts & Social Sciences at the Australian National University. He is founding Director of its Centre for Law, Arts, and the Humanities.
Riassunto
In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses.
