Ulteriori informazioni
In
The Necessity of Music, Celia Applegate explores the many ways that Germans thought about and made music from the eighteenth- to twentieth-centuries.
Sommario
Acknowledgements
List of Illustrations
Introduction
PART I: PLACES
Chapter 1 How German Is It?
Chapter 2 Music in Place
Chapter 3 Musical Itinerancy in a World of Nations
Chapter 4 Music at the Fairs
PART II: PEOPLE
Chapter 5 Mendelssohn on the Road
Chapter 6 The Internationalism of Nationalism in the Writings of A. B. Marx.
Chapter 7 Schumann’s German Nation
Chapter 8 The Musical Worlds of Brahms’ Hamburg.
PART III: PUBLIC AND PRIVATE
Chapter 9 What Difference does a Nation Make?
Chapter 10 Men with Trombones
Chapter 11 Women’s Wagner
Chapter 12 The Past and Present of
Hausmusik in the Third Reich
Chapter 13 To be or not to be Wagnerian in Riefenstahl’s Films
Chapter 14 Saving Music
Info autore
Celia Applegate is the William R. Kenan Jr. Chair in History at Vanderbilt University.
Riassunto
In The Necessity of Music, Celia Applegate explores the many ways that Germans thought about and made music from the eighteenth- to twentieth-centuries.
