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Informationen zum Autor Shaviro, Steven Klappentext The High Line, an innovative promenade created on a disused elevated railway in Manhattan, is one of the world's most iconic new urban landmarks. Deconstructing the High Line is the first book to analyse the High Line from multiple perspectives, critically assessing its aesthetic, economic, ecological, symbolic, and social impacts. Zusammenfassung In Digital Music Videos, Steven Shaviro surveys a wide range of music videos, highlighting some of their most striking innovations. In sampling and reworking a century’s worth of movies and other pop culture artifacts, these videos create a whole new digital world for the music industry that offers a plethora of visions and sounds never before encountered. Inhaltsverzeichnis Introduction 1 SuperimpositionsLabrinth, “Let It Be” (Us, 2014)Rihanna, “Disturbia” (Anthony Mandler, 2007)Lana Del Rey, “Shades of Cool” (Jake Nava, 2014) 2 Glitch AestheticsAllie X, “Catch” (Jérémie Saindon, 2015)FKA twigs, “Papi Pacify” (Tom Beard and FKA twigs, 2013)Janelle Monáe, “Cold War” (Wendy Morgan, 2010) 3 RemediationsAnimal Collective, “Applesauce” (Gaspar Noé, 2013)Kylie Minogue, “All the Lovers” (Joseph Kahn, 2010)Dawn Richard, “Choices” (Jayson Edward Carter, 2015) 4 LimitsMassive Attack, “Take It There” (Hiro Murai, 2016)Sky Ferreira, “Night Time, My Time” (Grant Singer, 2013)Kari Faux, “Fantasy” (Carlos Lopez Estrada, 2016) Further ReadingAcknowledgmentsWorks CitedVideos CitedIndex
