Ulteriori informazioni
Assesses concepts of hearing and listening across multiple fields, from both practitioners and academics The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. This issue looks at concepts of hearing and listening and looks at nature documentaries, sonic interactions, production hierarchy in television, and the use of macro-sounds to present the inside of bodies. Key Features - Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. - Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds. - Provides a new platform for discourse on how aural elements combine with moving images. Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider, Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.
Sommario
Volume 7 Issue 1 ContentsNew Understandings in Hearing
James Bacho'Listening Back': Exploring the Sonic Interactions at the Heart of HistoricalSound Effects Performance
Fiona Keenan and Sandra PaulettoFeeling and Filmmaking: The Design and Affect of Film Sound
Lucy Fife DonaldsonMumble-gate: Negotiating Theory and Practice in Television's Production Hierarchy
Tim HeathLosing Sight of Atmospheric Sounds in Televised Nature Documentary
Isabelle DelomtteWhen Soundtracks of Fiction and Non-fiction Converge: on the use of Macro Sounds to Present the Inside of Bodies
Svein Høier
Info autore
Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School.
Riassunto
This issue of The New Soundtrack looks at concepts of hearing and listening and looks at nature documentaries, sonic interactions, production hierarchy in television, and the use of macro-sounds to present the inside of bodies.
