Fr. 146.00

Zainichi Cinema - Korean-in-Japan Film Culture

Inglese · Copertina rigida

Spedizione di solito entro 2 a 3 settimane (il titolo viene stampato sull'ordine)

Descrizione

Ulteriori informazioni

This book examines how filmmakers, curators, and critics created a category of transnational, Korean-in-Japan (Zainichi) Cinema, focussing on the period from the 1960s onwards. An enormously diverse swathe of films have been claimed for this cinema of the Korean diaspora, ranging across major studio yakuza films and melodramas, news reels created by ethnic associations, first-person video essays, and unlikely hits that crossed over from the indie distribution circuit to have a wide impact across the media landscape. Today, Zainichi-themed works have never had a higher profile, with new works by Matsue Tetsuaki, Sai Yoichi, and Yang Yonghi frequently shown at international festivals. Zainichi Cinema argues that central to this transnational cinema is the tension between films with an authorized claim to "represent", and ambiguous and borderline works that require an active spectator to claim them as images of the Korean diaspora.

Sommario

Introduction: Koreans-in-Japan, on-screen.- 1. 1968/2004: Bridging Imjin River.- 2. Screening the Zainichi subject.- 3. Excavating the Zainichi yakuza film.- 4. 'Pacchigi Power!': the 'coming out' melodrama.- 5. Arirang kamikaze: screening the memory wars.- 6. Intimate ethnographies: three family portraits.- Conclusion

Info autore

Oliver Dew was awarded his PhD by Birkbeck College, University of London, in 2012. He was a JSPS Post-Doctoral Research Fellow at Meiji Gakuin University, Tokyo 2012-14. His articles have been published in the Journal of Japanese and Korean Cinema (2014), Nihon eiga wa ikiteiru (2010), and New Cinemas (2007). 

Riassunto

This book examines how filmmakers, curators, and critics created a category of transnational, Korean-in-Japan (Zainichi) Cinema, focussing on the period from the 1960s onwards. An enormously diverse swathe of films have been claimed for this cinema of the Korean diaspora, ranging across major studio yakuza films and melodramas, news reels created by ethnic associations, first-person video essays, and unlikely hits that crossed over from the indie distribution circuit to have a wide impact across the media landscape. Today, Zainichi-themed works have never had a higher profile, with new works by Matsue Tetsuaki, Sai Yoichi, and Yang Yonghi frequently shown at international festivals. Zainichi Cinema argues that central to this transnational cinema is the tension between films with an authorized claim to “represent”, and ambiguous and borderline works that require an active spectator to claim them as images of the Korean diaspora.

Dettagli sul prodotto

Autori Oliver Dew
Editore Springer, Berlin
 
Lingue Inglese
Formato Copertina rigida
Pubblicazione 01.01.2016
 
EAN 9783319408767
ISBN 978-3-31-940876-7
Pagine 235
Dimensioni 164 mm x 21 mm x 223 mm
Peso 462 g
Illustrazioni XIV, 235 p. 30 illus. in color.
Serie Springer Palgrave Macmillan
Categorie Guide e manuali > Hobby, casa > Fotografia, cinematografia, riprese video
Scienze umane, arte, musica > Arte > Fotografia, cinematografia, video, TV

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