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Informationen zum Autor Kofi Agawu was born in Ghana, West Africa where he received his initial education before studying in the UK and the US. He has taught and lectured at numerous universities in Africa, Europe and the United States. Agawu is a wide-ranging scholar and author of numerous articles and books on musical semiotics, the analysis of music, and West African music, which include Playing with Signs: A Semiotic Interpretation of Classical Music (Princeton University Press, 1991), African Rhythm: A Northern Ewe Perspective, Representing African Music: Postcolonial Notes, Queries, Positions (Routledge, 2003) and Music as Discourse: Semiotic Adventures in Romantic Music (Oxford University Press, 2008). Dr. Agawu is currently a professor of music at Princeton University. Klappentext The African Imagination in Music offers a fresh introduction to the vast and complex world of Sub-Saharan African music. Through close readings of traditional music and references to popular music, Agawu considers topics including the place of music in society, musical instruments, language and music, and appropriations of African music. Zusammenfassung The African Imagination in Music offers a fresh introduction to the vast and complex world of Sub-Saharan African music. Through close readings of traditional music and references to popular music, Agawu considers topics including the place of music in society, musical instruments, language and music, and appropriations of African music. Inhaltsverzeichnis Table of Contents Introduction 1. Music and/in society 2. Musical instruments 3. Language and/in music 4. The rhythmic imagination 5. The melodic imagination 6. The formal imagination 7. Harmony, or Simultaneous Doing 8. Appropriating African music References Discography and Videography
