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Informationen zum Autor The thrillers of Douglas Preston and Lincoln Child "stand head and shoulders above their rivals" ( Publishers Weekly ). Preston and Child's Relic and The Cabinet of Curiosities were chosen by readers in a National Public Radio poll as being among the one hundred greatest thrillers ever written, and Relic was made into a number-one box office hit movie. They are coauthors of the famed Pendergast series and their recent novels include Fever Dream , Cold Vengeance , Two Graves , and Gideon's Corpse . In addition to his novels, Preston writes about archaeology for the New Yorker and Smithsonian magazines. Lincoln Child is a former book editor who has published five novels of his own, including the huge bestseller Deep Storm . Readers can sign up for The Pendergast File, a monthly "strangely entertaining note" from the authors, at their website, www.PrestonChild.com . The authors welcome visitors to their alarmingly active Facebook page, where they post regularly. Klappentext "Preston and Child return with the next book in their #1 New York Times bestselling series featuring Special Agent Pendergast"-- Zusammenfassung After Pendergast is presumed dead from a supernatural encounter, his bodyguard Proctor is the only one who can chase a kidnapper across international waters and into the deadly unknown. A TRAGIC DISAPPEARANCE After a harrowing, otherworldly confrontation on the shores of Exmouth, Massachussetts, Special Agent A.X.L. Pendergast is missing, presumed dead. A SHOCKING RETURN Sick with grief, Pendergast's ward, Constance, retreats to her chambers beneath the family mansion at 891 Riverside Drive--only to be taken captive by a shadowy figure from the past. AN INTERNATIONAL MANHUNT Proctor, Pendergast's longtime bodyguard, springs to action, chasing Constance's kidnapper through cities, across oceans, and into wastelands unknown. BUT IN A WORLD OF BLACK AND WHITE, NOTHING IS AS IT SEEMS And by the time Proctor discovers the truth, a terrifying engine has stirred-and it may already be too late . . . ...
