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Since the early 1980s, there has been a dramatic increase in the number of international gay/lesbian-themed visual productions, ranging from pornographic images and television programmes to advertising and graphic novels. Often originating from countries with a multicultural tradition (most notably Great Britain and the United States), this cultural phenomenon has now reached many territories, including the French-speaking world.
What are the thematic and aesthetic convergences/divergences of such visual productions? Do such works develop problematics and approaches specific to areas such as metropolitan France or French-speaking Canada? The eleven essays included in this collection (two in English and nine in French) aim to answer these questions by offering in-depth and challenging discussions of various queer-themed visual productions made in a contemporary Francophone context. Each contribution focuses on specific case studies drawn from auteur , pornographic and experimental cinemas, as well as those based on analyses of images from television, printed media and contemporary art.
Sommario
Contents: Florian Grandena/Cristina Johnston: Introduction - Maxime Cervulle : Le Sexe de la " racaille " : pornographie ethnique et volonté de sa/voir - Candice Nicolas : Une Affaire de goût : palimpseste orphique et hypervisibilisation homosensuelle - Yekhan Pinarligil : Ixe : l'anormalisation des normes - Matthieu Sabourin: Fixing the Fluid: Coagulating Masculinities and Homo/Hetero Struggles for Visibility in Contemporary French Visual Arts - Jean-Baptiste Chantoiseau : L'Homosexualité à saturation ? L'expérience identitaire et esthétique de la série Courts mais gay (2001-2007) - Fabien Rose : Un Secret sous surveillance : gender passing et (sa)voir dans l'émission de téléréalité Secret Story I - Martine Gross : Visibilités homoparentales - Nelly Quemener : Humour et homosexualités : vers une queerisation de l'espace public - Mathilde Brissonnet : " Pas un putain de témoignage de merde " : au-delà de l'hypervisibilité d'un homosexuel dans son journal - Luc Dupont : Sur la représentation de la communauté gaie dans la publicité du magazine Têtu - Bharain Mac an Bhreithiún: Graphic Design and the Construction of Gay Masculinities in Kaiserin and Têtu.
Info autore
Florian Grandena is Assistant Professor in the Department of Communication of the University of Ottawa, where he teaches film studies. He is the author of many articles on French queer cinema and a book on new French political cinema entitled
Showing the World to the World: Political Fictions in French Cinema of the 1990s and Early 2000s (2008). He is also the initiator of a cycle of conferences on gay/lesbian hypervisibility in contemporary Francophone visual cultures.
Cristina Johnston is a Lecturer in French and Visual Cultures in the School of Languages, Cultures and Religions at the University of Stirling. She has published articles on sexuality in contemporary French cinema, transatlantic cinematic relations and French Republican citizenship in the post-PACS era, and the monograph
French Minority Cinema (2010).
