Fr. 165.00

The Construction of Authorship - Textual Appropriation in Law and Literature

Inglese · Copertina rigida

Spedizione di solito entro 3 a 5 settimane (il titolo viene procurato in modo speciale)

Descrizione

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"This important collection of essays begins to develop a coherent history of copyright and intellectual property doctrine and the place of both in organizing and policing cultural production. This volume should be read by everyone in cultural studies interested either in the history of authorship or in the ways electronic production is changing how we think about the processes of artistic creation."--Janice Radway, Duke University

Sommario










Acknowledgments

Introduction

On the Author Effect: Recovering Collectivity / Martha Woodmansee

On the Author Effect: Contemporary Copyright and Collective Creativity / Peter Jaszi

Touching Words: Helen Keller, Plagiarism, Authorship / Jim Swan

Author/izing the Celebrity: Publicity Rights, Postmodern Politics, and Unauthorized Genders / Rosemary J. Coombe

The Pragmatics of Genre: Moral Theory and Lyric Authorship in Hegel and Wordsworth / Thomas Pfau

The Interdisciplinary Future of Copyright Theory / Alfred C. Yen

Milton's Contract / Peter Lindenbaum

From Rights in Copies to Copyright: The Recognition of Authors' Rights in English Law and Practice in the Sixteenth and Seventeenth Centuries / John Feather

The Author in Court: Pope v. Curll (1741) / Mark Rose

Authority and Authenticity: Scribbling Authors and the Genius of Print in Eighteenth-Century England / Marlon B. Ross

Charles Dickens, International Copyright, and the Discretionary Silence of Martin Chuzzlewit / Gerhard Joseph

International Copyright: Structuring "the Condition of Modernity" in British Publishing / N. N. Feltes

Sanctioning Voice: Quotation Marks, the Abolition of Torture, and the Fifth Amendment / Margreta de Grazia

Broadcast Copyright and the Bureaucratization of Property / Thomas Streeter

Authorship and the Concept of National Cinema in Spain / Marvin D'Lugo

"Don't Have to DJ No More": Sampling and the "Autonomous" Creator / David Sanjek

Beaumont and/or Fletcher: Collaboration and the interpretation of Renaissance Drama / Jeffrey A. Masten

Common Properties of Pleasure: Texts in Nineteenth Century Women's Clubs / Anne Ruggles Gere

Reading and Writing the Renaissance Commonplace Book: A Question of Authorship? / Max W. Thomas

Collaborative Authorship and the Teaching of Writing / Andrea A. Lunsford and Lisa Ede

The Author in Copyright: Notes for the Literary Critic / Monroe E. Price and Malla Pollack

Appendix

Info autore










Martha Woodmansee and Peter Jaszi, eds.

Dettagli sul prodotto

Autori Woodmansee
Con la collaborazione di Peter Jaszi (Editore), Martha Woodmansee (Editore)
Editore Duke University Press
 
Lingue Inglese
Formato Copertina rigida
Pubblicazione 21.01.1994
 
EAN 9780822313823
ISBN 978-0-8223-1382-3
Pagine 472
Peso 953 g
Serie Post-Contemporary Interventions
Post-Contemporary Intervention
Post-Contemporary Interventions
Post-Contemporary Intervention
Categorie Scienze sociali, diritto, economia > Diritto > Diritto internazionale, diritto degli stranieri
Scienze umane, arte, musica > Scienze linguistiche e letterarie > Letteratura / linguistica inglese

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