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Informationen zum Autor David Ellis is the author of Lawrence's Non-Fiction: Art, Thought and Genre and Wordsworth, Freud and the Spots of Time. He has been commissioned to write Volume HI of the New Cambridge biography of Lawrence. Klappentext Women in Love! the novel that D. H. Lawrence considered his best! is a powerful portrayal of two couples dynamically engaged in a struggle with themselves! with each other! and with life's intractable limitations. The sisters Ursula and Gudrun Brangwen! whom we first met in Lawrence's novel The Rainbow! here become involved with two close friends: Rupert! an intellectual school inspector; and Gerald! the wealthy heir to a mine owner. The turbulent relationships that result-chronicled with an emotional and sexual frankness that provoked controversy on the book's publication in 1920-take the characters from an English landscape of coal mines and sooty factories to the snowy heights of the Alps! where tragedy strikes. Women in Love was written during World War I! and while that conflict is never mentioned in the novel! a sense of background danger! of lurking catastrophe! continually informs its drama. Lawrence was a powerful! prophetic writer! but in addition he brought such delicacy to his treatment of the human and natural worlds that E. M. Forster's claim that he was the greatest imaginative novelist of his generation does him too little justice rather than too much. Sisters Ursula and Gudrun Brangwen sat one morning in the window-bay of their father's house in Beldover, working and talking. Ursula was stitching a piece of brightly-coloured embroidery, and Gudrun was drawing upon a board which she held on her knee. They were mostly silent, talking as their thoughts strayed through their minds. "Ursula," said Gudrun, "don't you really want to get married?" Ursula laid her embroidery in her lap and looked up. Her face was calm and considerate. "I don't know," she replied. "It depends how you mean." Gudrun was slightly taken aback. She watched her sister for some moments. "Well," she said, ironically, "it usually means one thing!--But don't you think, anyhow, you'd be--" she darkened slightly--"in a better position than you are in now?" A shadow came over Ursula's face. "I might," she said. "But I'm not sure." Again Gudrun paused, slightly irritated. She wanted to be quite definite. "You don't think one needs the experience of having been married?" she asked. "Do you think it need be an experience?" replied Ursula. "Bound to be, in some way or other," said Gudrun, coolly. "Possibly undesirable, but bound to be an experience of some sort." "Not really," said Ursula. "More likely to be the end of experience." Gudrun sat very still, to attend to this. "Of course," she said, "there's that to consider." This brought the conversation to a close. Gudrun, almost angrily, took up her rubber and began to rub out part of her drawing. Ursula stitched absorbedly. "You wouldn't consider a good offer?" asked Gudrun. "I think I've rejected several," said Ursula. "Really!" Gudrun flushed dark.--"But anything really worth while? Have you really?" "A thousand a year, and an awfully nice man. I liked him awfully," said Ursula. "Really! But weren't you fearfully tempted?" "In the abstract--but not in the concrete," said Ursula. "When it comes to the point, one isn't even tempted.--Oh, if I were tempted, I'd marry like a shot.--I'm only tempted not to." The faces of both sisters suddenly lit up with amusement. "Isn't it an amazing thing," cried Gudrun, "how strong the temptation is, not to!" They both laughed, looking at each other. In their hearts they were frightened. There was a long pause, whilst Ursula stitched and Gudrun went on with her sketch. The sisters were women, Ursula twenty-six and Gudr...
