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Informationen zum Autor Andrew Leach is Professor of Architectural History at Griffith University! where he holds an Australian Research Council Future Fellowship. John Macarthur is a professor in the School of Architecture at the University of Queensland! where he is Director of the research centre ATCH. Maarten Delbeke is Professor of Architectural History and Theory at Ghent University and head of the research project 'The Quest for the Legitimacy of Architecture in Europe! 1750-1850' at the Leiden University Institute for Cultural Disciplines. Zusammenfassung The book defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture. Inhaltsverzeichnis Chapter 1 Defining a Problem: Modern Architecture and the Baroque Chapter 2 Engaging the Past: Albert Ilg’s Die Zukunft des Barockstil Chapter 3 Großstadt as Barockstadt: Art History, Advertising and the Surface of the Neo-Baroque Chapter 4 The “Restless Allure” of (Architectural) Form: Space and Perception between Germany, Russia and the Soviet Union Chapter 5 Geoffrey Scott, the Baroque, and the Picturesque Chapter 6 Against Formalism: Aspects of the Historiography of the Baroque in Weimar Germany, 1918–33 Chapter 7 Riegl and Wölfflin in Dialogue on the Baroque Chapter 8 Beyond the Vienna School: Sedlmayr and Borromini Chapter 9 Pevsner’s Kunstgeographie: From Liepzig’s Baroque to the Englishness of Modern English Architecture Chapter 10 The Future of the Baroque, c. 1945 Chapter 11 Giedion as Guide: Space, Time and Architecture and the Modernist Reception of Baroque Rome Chapter 12 Reading Aalto through the Baroque: Constituent Facts, Dynamic Pluralities, and Formal Latencies Chapter 13 Taking the Sting out of the Baroque: Wittkower, 1958 Chapter 14 Pierre Charpentrat and Baroque Functionalism 15 From Spatial Feeling to Functionalist Design: Contrasting Representations of the Baroque in Steen Eiler Rasmussen’s Experiencing Architecture Chapter 16 From Michelangelo to Borromini: Bruno Zevi and Operative Criticism Chapter 17 Between History and Design: The Baroque Legacy in the Work of Paolo Portoghesi Chapter 18 Steinberg’s Complexity Chapter 19 The “Recurrence” of the Baroque in Architecture: Giedion and Norberg-Schulz’s Approaches to Constancy and Change Chapter 20 The Future of the Baroque, c. 1980...
