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Dual Impressions: Poetic Conversations About Art is a discussion between John Brantingham and Jeffrey Graessley about art and life in poetic form. The collection covers themes such as war, poverty, and social justice.
Featured artists include: Max Beckman, Arnold Bocklin, Eugène Boudin, Constantine Brancusi, Pieter Bruegel (the Elder), Philip Hermogenes Calderon, Paul Cézanne, Marc Chagall, Frederick Edwin Church, Thomas Cole, Lucas Cranach (the Elder), Edgar Degas, Jan Davidz de Heem, El Greco, Max Ernst, Juan Gris, Paul-Camille Guigou, Edward Hopper, Paul Klee, Gustav Klimt, Pieter Lastman, René Magritte, Édouard Manet, Henri Matisse, Amadeo Modligliani, Claude Monet, Jacob Moore, Pablo Picasso, The Polyphemus Painter, Francesco Primaticcio, Pierre-Auguste Renoir, John Singer Sargent, Sassetta, Georges-Pierre Seurat, Henri de Toulouse-Lautrec, Vincent van Gogh, John William Waterhouse, James Whistler, Tung Yuan
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JOHN BRANTINGHAM is Writer-in-Residence at the dA Center for the Arts. He teaches composition and creative writing at Mt. San Antonio College and Sequoia and Kings Canyon National Parks. He has had hundreds of poems, short stories, and essays published in the United States and Europe in venues such as Garrison Keillor's Writer's Almanac,
Tears in the Fence, The Journal, Confrontation, and
Pearl Magazine. He is president of the San Gabriel Valley Literary Festival, a nonprofit that brings po-etry readings to the San Gabriel Valley. He writes in a number of styles and genres including literary fiction, crime fiction, and poetry. His books include
Let Us All Pray Now to Our Own Strange Gods (literary short stories),
The Green of Sunset (prose poems),
Mann of War (crime novel),
East of Los Angeles (poetry collection), and
The Gift of Form (an instruction guide for writing formal poetry).
JEFFREY GRAESSLEY spends his nights in the San Gabriel Valley. His recent work can be found in a variety of magazines, including
The Idiom, New Myths Magazine, and
Tears in the Fence. He is the author of the chapbooks
Cabaret of Remembrance (Sweatshoppe Publications, 2014) and
The Old Masters (Arroyo Seco Press, 2015). His recent discovery of the Beat generation has prompted loving and longing thoughts for that simple, drunken, far-gone time in American history.
