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Excerpt from Venetian Painting in America the Fifteenth Century
"Now that we are on the subject of Venetian Painting," that would be a more exact title for this book. For, in fact, I have made the stray pictures in our collections the pretext for saying what I wanted to say about their authors in general.
In some ways this form suits me as it suited my master, Giovanni Morelli. Like him, I have a distaste for including in my own writing questions that do not vividly interest me at the moment, no matter how important in themselves; and like him, I prefer to avoid such systematic treatment as entails dealing with materials either at second hand, or out of dimmed and attenuated recollection. It goes against the grain to write about anything that does not fascinate and absorb me.
For the last few years it has been the painters of Venice, and Giovanni Bellini in particular, that have preoccupied my leisure and occupied my working hours. I thought of making a book about him, and I may still do it. But should I fail to achieve this purpose the student will be able to gather from this book, supplemented by certain essays in my third series of "Study and Criticism of Italian Art," most of what I have to contribute to the subject.
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