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Excerpt from The Philosophy of Fine Art, Vol. 3
[summary The principle of subjectivity, as realized in painting, contrasted with its complete emancipation in the art of music. Annihilation of spatial objectivity. Motion with its resultant effect In musical tone. Analysis of the twofold negation of externality in which the fundamental principle of musical tone consists. The inner soul life exclusively the subject-matter of music. Addressed also In its effect to such.
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