Ulteriori informazioni
Social and behavioral scientists study religion or spirituality in various ways and have defined and approached the subject from different perspectives. In cultural anthropology and archaeology the understanding of what constitutes religion involves beliefs, oral traditions, practices and rituals, as well as the related material culture including artifacts, landscapes, structural features and visual representations like rock art. Researchers work to understand religious thoughts and actions that prompted their creation distinct from those created for economic, political, or social purposes. Rock art landscapes convey knowledge about sacred and spiritual ecology from generation to generation.
Contributors to this global view detail how rock art can be employed to address issues regarding past dynamic interplays of religions and spiritual elements. Studies from a number of different cultural areas and time periods explore how rock art engages the emotions, materializes thoughts and actions and reflects religious organization as it intersects with sociopolitical cultural systems.
Sommario
Introduction. Donna L. Gillette, Mavis Greer, Michele H. Hayward, and William Breen Murray.- Rock Art and Spirituality: Is the Rock Art of 30,000 Years Ago a Window to the Spirituality of the People of the Paleolithic? Margaret Bullen.- Silence of Signs - Power of Symbols: From Sympathetic Magic Towards Social Semiotic in South Scandinavian Rock Art Research. David Vogt.- The Rock Art of Chinamawali and its Sacred Places: a Pilgrimage to Initiation. Leslie F. Zubieta.- Rock Art and the Development of Sacred Landscapes in Mainland Southeast Asia. Noel HildalgoTan and Paul Taçon.- Spirituality and Chinese Rock Art. Yasha Zhang.- Conflict on the Frontier: San Rock Art, Spirituality and Historical Narrative in the Free State Province, South Africa. Jamie Hampson.- Spiritual Places: Canadian Shield Rock Art Within Its Sacred Landscape. Daniel Arsenault and Dagmara Zawadzka.- Concepts of Spirit in Prehistoric Art According to Clifford Duncan, Ute Spiritual Elder. Carol Patterson and CliffordDuncan.- Old Man Owl: Myth and Gambling Medicine in Klamath Basin Rock Art. Robert J. David and Melissa Watkins Morgan.- Trance and Transformation on the Northern Shores of the Chichimec Sea. Solvig Turpin and Herbert H. Eling.- Deer: Sacred and Profane. William Breen Murray.- Religious Organization in the Late Ceramic Caribbean. Michele H. Hayward, Frank Schieppati, Michael A. Cinquino.- Language and Thought in Rock Art: a Discussion of the Spiritual World of Rock Art in Colombia. Guillermo C. Muñoz. Spirituality in Rock Art Yesterday and Today: Reflections from the Northern Plains and Far Western United States. Donna L. Gillette and Mavis Greer.
Info autore
Donna L. Gillette Has a Ph.D. in Anthropology from University of California, Berkeley. Research interests include the study and documentation of PCNs, a very early rock art tradition that spans the Coastal Ranges of California. Other interests include working with an 1838 Rancho Period Adobe founded on a Native American site and interfacing with Native Americans.
Mavis Greer Has a Ph.D. from University of Missouri, Columbia. She is co-owner of Greer Services, Archeological Consulting, Casper, Wyoming. Her interests include rock art and ethnohistory of the Northern Plains of North America, tipi ring analysis and cultural resource management.
William Breen Murray Has a Ph.D. from McGill University in Montreal, Canada. From 1976 – 2006 he was a Professor in the Departamento de Ciencias Sociales, Universidad de Monterrey, Mexico. His research focus is archaeoastronomy, hunter-gatherer adaptation and numerical representation.
Michele Hayward Has a Ph.D. from Pennsylvania State University and is currently a senior archaeologist with Panamerican Consultants, Inc. She has been involved with a variety of archaeological projects in the United States and the Caribbean. Her interest in Caribbean rock art began as an archaeologist at the Institute of Puerto Rican Culture and has grown to include documentation of rock art sites, as well as organizing and participating in national and international sessions on Caribbean rock art. She co-edited Rock Art of the Caribbean (2009).
Riassunto
Social and behavioral scientists study religion or spirituality in various ways and have defined and approached the subject from different perspectives. In cultural anthropology and archaeology the understanding of what constitutes religion involves beliefs, oral traditions, practices and rituals, as well as the related material culture including artifacts, landscapes, structural features and visual representations like rock art. Researchers work to understand religious thoughts and actions that prompted their creation distinct from those created for economic, political, or social purposes. Rock art landscapes convey knowledge about sacred and spiritual ecology from generation to generation.
Contributors to this global view detail how rock art can be employed to address issues regarding past dynamic interplays of religions and spiritual elements. Studies from a number of different cultural areas and time periods explore how rock art engages the emotions, materializes thoughts and actions and reflects religious organization as it intersects with sociopolitical cultural systems.
Testo aggiuntivo
“The papers did a solid job of addressing this broad topic from a range of perspectives. By focusing exclusively on rock art's relationship with various aspects of religion, ritual and spirituality from the deep past into the present, the contributors add another important layer to the ongoing archaeological and anthropological discourse surrounding the nature of the relationship between rock art and landscape.” (Liam M. Brady, South African Archaeological Bulletin, Vol. 70 (201), 2015)
Relazione
"The papers did a solid job of addressing this broad topic from a range of perspectives. By focusing exclusively on rock art's relationship with various aspects of religion, ritual and spirituality from the deep past into the present, the contributors add another important layer to the ongoing archaeological and anthropological discourse surrounding the nature of the relationship between rock art and landscape." (Liam M. Brady, South African Archaeological Bulletin, Vol. 70 (201), 2015)
