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Agnes Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980-81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted reveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.
Sommario
Acknowledgements
Introduction: Beginnings
1. Agnes Varda: A Woman Within History
2. Aesthetics and Technique
3. Varda's Ethics of Filming
4. Poetics of Space
5. Cinecriture and Originality
Conclusion
Filmography
Bibliography
Index
Info autore
Delphine Bénézet teaches comparative literature in the School of Languages, Linguistics, and Film at Queen Mary, University of London.
