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Zusatztext "McSmith writes journalist’s history in the best sense! accounting for persons and events without resorting to theory! psychological or political. With clear-eyed restraint and unsentimental sympathy for the victims! he tells the story of Stalin’s quarter-century effort! ended only by his death! to manage the greatest Russian artists of the time through intimidation! harassment! jailing! torture! and! when circumstances allowed! murder. . . . An invaluable contribution to serious popular history." ? Booklist "The author has a deep affinity for these artists! and his portrayal of their struggles makes our appreciation of them even stronger. . . . Valuable." ? Kirkus Reviews "Revelatory. . . . McSmith . . . has done a masterful job of researching and describing what it was like for writers! musicians and filmmakers to create under one of the most oppressive regimes in history. . . . Using extensive primary and secondary sources! McSmith reveals a remarkable story about art triumphing over evil." ? Shelf Awareness Klappentext "Can great art be produced in a police state? Josif Stalin ran one of the most oppressive regimes in world history. Nevertheless, Stalinist Russia produced an outpouring of artistic works of immense power--from the poems of Anna Akhmatova and Osip Mandelstam to the opera Peter and the Wolf, the film Alexander Nevsky, and the novels The Master and Margarita and Doctor Zhivago. More than a dozen great artists were visible enough for Stalin to take an interest in them--which meant he chose whether they were to live in luxury and be publicly honored or to be sent to the Lubyanka for torture and execution. Journalist and novelist Andy McSmith brings together the stories of these artists--including Isaac Babel, Boris Pasternak, Dmitri Shostakovich, and many others--revealing how they pursued their art often at great personal risk. It was a world in which the poet Vladimir Mayakovsky, whose bright yellow tunic was considered a threat to public order under the tsars, struggled to make the communist authorities see the value of avant garde art; Babel publicly thanked the regime for allowing him the privilege of not writing; and Shostakovich's career veered wildly between public disgrace and wealth and acclaim. An extraordinary work of historical recovery, Fear and the Muse Kept Watch is also a bold exploration of the triumph of art during terrible times"-- Zusammenfassung In this dazzling exploration of one of the most contradictory periods of literary and artistic achievement in modern history, journalist Andy McSmith evokes the lives of more than a dozen of the most brilliant artists and writers of the twentieth century. Taking us deep into Stalin's Russia, Fear and the Muse Kept Watch asks the question: can great art be produced in a police state? For although Josif Stalin ran one of the most oppressive regimes in world history, under him Russia also produced an outpouring of artistic works of immense and lasting power—from the poems of Anna Akhmatova and Osip Mandelstam to the opera Peter and the Wolf , the film Alexander Nevsky , and the novels The Master and Margarita and Doctor Zhivago . For those artists visible enough for Stalin to take an interest in them, it was Stalin himself who decided whether they lived in luxury or were sent to the Lubyanka, the headquarters of the secret police, to be tortured and sometimes even executed. McSmith brings together the stories of these artists—including Isaac Babel, Boris Pasternak, Dmitri Shostakovich, and many others—revealing how they pursued their art under Stalin's regime and often at great personal risk. It was a world in which the poet Vladimir Mayakovsky, whose bright yellow tunic was considered a threat to public order under the tsars, struggled to make the communist authorities see the value of a...
