Ulteriori informazioni
@2@@20@LONGLISTED FOR THE MAN BOOKER PRIZE 2014@21@@3@@2@The artist Harriet Burden, furious at the lack of attention paid her by the New York art world, conducts an experiment: she hides her identity behind three male fronts in a series of exhibitions. Their success seems to prove her point, but there's a sting in the tail - when she unmasks herself, not everyone believes her. Then her last collaborator meets a bizarre end. @3@@2@In this mesmerising tour de force, Burden's story emerges after her death through a variety of sources, including her (not entirely reliable) journals and the testimonies of her children, lover and a dear friend. Each account is different, however, and the mysteries multiply.@3@
Info autore
Siri Hustvedt is the author of seven novels, five collections of essays, a poetry collection and a memoir. Her books have been listed for major prizes, including the Booker Prize, the Women's Prize and the PEN America Literary Award, and she has been awarded the LA Times Book Prize, the Prix Européen de l'Essai Charles Veillon, the International Gabarron Prize for Thought and Humanities, the Princess of Asturia Award and the Openbank Literature Award, among others. She holds a PhD from Columbia University and has been awarded honorary PhDs from Johannes Gutenberg University, Stendhal University and the University of Oslo. She is a Lecturer in Psychiatry at Weill Cornell Medical College and has written on art for the New York Times and the Daily Telegraph. Born in Minnesota, she lives in Brooklyn, New York.
Riassunto
The brilliantly original Booker-longlisted novel from Siri Hustvedt, acclaimed author of the international bestseller What I Loved
Prefazione
The devilishly playful, intellectually inspiring, emotionally involving novel from Siri Hustvedt, longlisted for the Booker Prize
Relazione
I have told nearly everyone I love - and some random acquaintances - to stop whatever they are doing and read [Hustvedt's] new novel . . . The Blazing World is the playful, ebullient, brainy story of Harriet "Harry" Burden, an artist in her early sixties . . . The book is clearly a feminist undertaking but joyously, unpredictably so. Hustvedt eschews all feminist cliché. She throws herself into rich ambiguities . . . Hustvedt's novels have always been smart, accomplished, critically acclaimed but this one feels like a departure. There is more heat in it, more wildness; it seems to burst on to a whole other level of achievement and grace . . . the book will blaze through the world. Financial Times
