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The short stories of Victor Pelevin are as individual, reality-warping and endlessly inventive as his novels, moving effortlessly between different genres and moods, bursting with absurd wit and existential satire. In The Blue Lantern he brings together sex-change prostitutes, melancholy animals and a cabinful of young boys obsessed by death. Sidestepping the world we take for granted, these stories show in miniature the fantastical talent for which the Observer acclaimed Pelevin''s work as ''the real thing, fiction of world class''.>
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Born in 1962 in Moscow, Victor Pelevin has swiftly been recognised as the leading Russian novelist of the new generation. Before studying at Moscow's Gorky Institute of Literature, he worked in a number of jobs, including as an engineer on a project to protect MiG fighter planes from insect interference in tropical conditions. One of the few novelists today who writes seriously about what is happening in contemporary Russia, he has, according to the
New York Times, 'the kind of mordant, astringent turn of mind that in the pre-glasnost era landed writers in psychiatric hospitals or exile'.$$$His work has been translated into fifteen languages and his novels
Omon Ra,
The Life of Insects,
The Clay Machine-Gun and
Babylon, and two collections of short stories,
The Blue Lantern (winner of the Russian 'Little Booker' Prize) and
A Werewolf Problem in Central Russia, have been published in English to great acclaim.$$$Victor Pelevin was selected by the
New Yorker as one of the best European writers under the age of thirty-five.
