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Informationen zum Autor Shankar Raman is Associate Professor in the Faculty of Literature at MIT. He is the author of Framing "India": The Colonial Imaginary in Early Modern Culture (Stanford University Press, 2002). Klappentext AUTHOR APPROVED BLURBPostcolonial Literary StudiesSeries Editors: David Johnson and Ania LoombaThis series examines how Postcolonial Studies reconfigures the major periods and areas of literature. The books relate key literary and cultural texts both to their historical and geographical contexts, and to contemporary issues of neo-colonialism and global inequality. Each volume provides a comprehensive survey of the existing field of scholarship and debate, and is also an original intervention in its own right.Each book includes: a time line; an introductory literature survey; discussion of critical, theoretical, historical and political debates; exemplary critical readings of literary texts; and further reading.Renaissance Literature and Postcolonial StudiesShankar RamanShows how Renaissance writers and artists struggled to reconcile past traditions with experiences of 'discovery'In what ways have colonial and postcolonial studies transformed our perceptions of early modern European texts and images? How have those perceptions enriched our broader understanding of the colonial and the postcolonial? Focusing on English, Portuguese, Spanish and French colonial projects, Shankar Raman explains how encounters with new worlds and peoples irrevocably shaped both Europeans and their 'others'. There are in-depth case studies on: the Portuguese drama and epic of Gil Vicente and Luis Vaz de Camões; travel narratives and exotic engravings from Theodore de Bry's influential compilations; and the English plays and verse of Christopher Marlowe, John Donne and Richard Brome.Key Features* Introduces readers to the careful reading of visual sources as a complement to textual analysis* Emphasises the importance of comparative work in literary studies of colonialism: see especially the discussion of Adam Olearius' travels in Chapter 2 as well as the case studies of Portuguese literary texts and de BryShankar Raman is an Associate Professor in the Literature Fac Zusammenfassung Shows how Renaissance writers and artists struggled to reconcile past traditions with experiences of 'discovery'. Inhaltsverzeichnis Series Editors' PrefaceList of IllustrationsAcknowledgementsTimeline1 Exploring the TerrainRenaissance Anti-colonialismsImperial TranslationsCannibalsGender and RaceDifference and Repetition2 DebatesTexts and ContextsTempestuous HistoriesPostcolonial Reactivations of The TempestTheory after ShakespeareOthers and SelvesIreland: Civilised Selves and Barbarous OthersSpain and Turkey: Protestantism and its OthersThinking Differently about Others: Olearius' Travels3 Case StudiesTwo Ways of Looking at Colonial BeginningsUnfinished Histories: Gil Vicente's Auto da ÍndiaHistory as Myth: Luis Vaz de Camões' Os LusíadasTwo Ways of Writing the HeathenWriting the New World Native: de Bry's America IWriting the Chinese: de Bry's India Orientalis IIThe Brome-an Empire: Wonder and Theatre in The AntipodesCan't Buy me Love: John Donne's "Loves Progress"Revolutions that Have No Model: Marlowe's Tamburlaine the GreatPrimary Works CitedSecondary Works CitedFurther ReadingIndex...
