Fr. 456.00

Studies in 17th Century Opera

Inglese · Copertina rigida

Spedizione di solito entro 3 a 5 settimane

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Zusatztext '...there is much here to stimulate and enhance the enjoyment of the thoughtful opera-goer! while at the same time there is much food for thought for performers! and above all producers...' Opera Informationen zum Autor Beth L. Glixon! Dr! University of Kentucky! USA Klappentext Features the essays that pertain to Italian opera! and concern opera production in France! England! Spain! and the Germanic countries. Zusammenfassung Features the essays that pertain to Italian opera, and concern opera production in France, England, Spain, and the Germanic countries. Inhaltsverzeichnis Contents: Introduction; Part I 17th-Century Opera: The Early Years: Singing Orfeo: on the performers of Monteverdi's first opera! Tim Carter; Training a singer for Musica Recitativa in early 17th-century Italy: the case of Baldassare! John Walter Hill; Re-voicing Arianna (and laments): two women respond! Suzanne G. Cusick. Part II Monteverdi and Cavalli: Monteverdi's mimetic art: L'incoronazione di Poppea! Ellen Rosand; Tacitus incognito: opera as history in L'incoronazione di Poppea! Wendy Heller; Didone by Cavalli and Busenello: from the sources to modern productions! Dinko Fabris; Censoring Eliogabalo in 17th-century Venice! Mauro Calcagno. Part III Italian Opera During the Second Half of the 17th Century: La sirena antica dell'Adriatico: Caterina Porri! a 17th-century Roman prima donna on the stages of Venice! Bologna and Pavia! Beth L. Glixon; Dances from the 'four corners of the Earth': exoticism in 17th-century Venetian opera! Irene Alm; On the road with the 'suitcase aria': the transmission of borrowed arias in late 17th-century Italian opera revivals! Jennifer Williams Brown. Part IV Opera Outside Italy: Why the first opera given in Paris wasn't Roman! Margaret Murata; The articulation of Lully's dramatic dialogue! Lois Rosow; Recovering the Lullian divertissement! Rebecca Harris-Warrick; Opera and the Spanish political agenda! Louise K. Stein; What did Handel learn from Steffani's operas?! Colin Timms; Performance and political allegory in Restoration England: what to interpret and when! Andrew R. Walkling; The politics of opera in late 17th-century London! Robert D. Hume; Name Index. ...

Dettagli sul prodotto

Autori Beth L. Glixon
Con la collaborazione di Beth L. Glixon (Editore), BethL. Glixon (Editore), Glixon Beth L. (Editore), Roberta Montemorra Marvin (Editore della collana)
Editore ASHGATE PUB CO
 
Lingue Inglese
Formato Copertina rigida
Pubblicazione 23.12.2010
 
EAN 9780754629016
ISBN 978-0-7546-2901-6
Dimensioni 175 mm x 252 mm x 29 mm
Serie The Ashgate Library of Essays in Opera Studies
The Ashgate Library of Essays in Opera Studies
Categorie Scienze umane, arte, musica > Storia > Storia della cultura

HISTORY / General, MUSIC / Genres & Styles / Opera, Opera

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