Fr. 314.40

Stocktakings - From an Apprenticeship

Inglese · Copertina rigida

Spedizione di solito entro 1 a 3 settimane (non disponibile a breve termine)

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Zusatztext 'crucial document ... The passion behind Boulez's polemics is perhaps the most old-fashioned aspect of these essays - and also perhaps the most admirable.'David Schiff! Reed College! Notes! March 1993 Informationen zum Autor Leading French composer and conductor and writer on music. Klappentext In these essays, the leading French composer and conductor Pierre Boulez explains many of his most significant ideas about music. The essays are divided into four parts, the first three concerned with common preoccupations (aesthetic, technical, and polemical) and the last a collection of entries intended for a music encyclopedia. Boulez offers penetrating and provocative analyses of the music of the major figures of twentieth-century music including Stravinsky, Schoenberg, Berg, Webern, Debussy, Messiaen, and Ravel. His illuminating comments arise from intimate knowledge of the music, and the resulting collection is an essential document of post-war modern music. Zusammenfassung Pierre Boulez (born 1925) is a major figure in French musical life, being not only the leading French composer of his generation, but also an outstanding conductor. He is also a prolific writer on music, and this is a translation of his first collection of essays, published in France in 1966. In these essays Boulez worked out many of his most significant ideas about music, and he sets forth his views with characteristic intellectual vigour and acuity. The essays are divided into four parts, the first three concerned with a common preoccupation (aesthetic, technical, polemical), the last a collection of entries intended for a music encyclopaedia. Boulez writes mainly on the giants of twentieth-century music - Stravinsky, Schoenberg, Berg, Webern, Debussy, Messiaen, Ravel - and he offers penetrating and at times provocative analyses of some of their music and musical styles, such as neo-classicism and serialism. His illuminating comments arise from intimate knowledge of the music, and the resulting collection is an essential document of post-war modern music. Inhaltsverzeichnis Introduction; I: In search of a musical aesthetic; II: Towards a technology; III: A few squibs; IV: Entries for a musical encyclopaedia; Postface; Index...

Dettagli sul prodotto

Autori Pierre Boulez, Pierre ( Boulez, Pierre (Director of Ircam) Boulez, Stephen Walsh
Con la collaborazione di Paule Thevenin (Editore), Paule Thévenin (Editore), Robert Piencikowski (Introduzione), Stephen Walsh (Traduzione)
Editore Oxford University Press
 
Lingue Inglese
Formato Copertina rigida
Pubblicazione 15.08.1991
 
EAN 9780193112100
ISBN 978-0-19-311210-0
Pagine 348
Con la collaborazione di Paule Thévenin
Serie OUP Oxford
Categoria Scienze umane, arte, musica > Musica > Storia della musica

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