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Informationen zum Autor Robert Muchembled is a French historian. In 1967, he passed the Agrégation in history. In 1985 he was awarded a doctorate for his thesis on attitudes to violence and society in Artois between 1440 and 1600. In 1986 he became Professor of Modern History at Paris 13 University. Klappentext Violence is so much in the news today that we may find it hard to believe that it is less prevalent than it was in the past. But this is exactly what the distinguished historian Robert Muchembled argues in this major new work on the history of violence. He shows that brutality and homicide have been in decline since the thirteenth century. The thesis of a 'civilizing process', of a gradual taming, even sublimation, of violence, seems, therefore, to be well-founded.How are we to explain this decline in public displays of aggression? What mechanisms have modernizing societies employed to repress and control violence? The increasingly strict social control of unmarried, male adolescents, together with the coercive education imposed on this age group, are central to Muchembled's explanation. Masculine violence gradually disappeared from public space, to become concentrated in the home. Meanwhile, a vast popular literature, precursor of the modern mass media, came to play a cathartic role: the duels of The Three Musketeers and the amazing exploits of Fantômas, as described in the new crime literature invented in the nineteenth century, now helped to purge the violent impulses.And yet we seem, in the first few years of the twenty-first century, to be witnessing a resurgence of violence, especially among the youths of the inner cities. How should we understand this resurgence in relation to the long history of violence in the West? Zusammenfassung Originally published in French under title: Une histoire de la violence. Editions du Seuil! c2008. Inhaltsverzeichnis Chapter 1. What is violence? Is violence innate? Violence and manliness Semen and blood: a history of honour Chapter 2. Violence: seven centuries of spectacular decline The reliability of the crime figures Seven centuries of decline The 'making' of young men Chapter 3. The youth festivals of violence (thirteenth to seventeenth centuries) A culture of violence Violent festivities and brutal games Youth violence Chapter 4. The urban peace at the end of the Middle Ages The pacificatory towns Controlling the young Violence costs dear Chapter 5. Cain and Medea. Homicide and the construction of sexed genders (1500-1650) A judicial revolution In pursuit of the ungrateful son: the spread of the blood taboo Medea, the guilty mother Chapter 6. The noble duel and popular revolt. The metamorphoses of violence The duel, a French exception Noble youths sharpen their swords Popular violence and the frustrations of youth Chapter 7. Violence tamed (1650-1960) Murder forbidden The civilizing town Violence and changing concepts of honour in the countryside Chapter 8. Mortal thrills and crime fiction (sixteenth to twentieth centuries) The devil, assuredly & The birth of the crime fiction From blood-thirsty murderer to well-loved bandit Blood and ink Chapter 9. The return of the gangs. Contemporary adolescence and violence Death in paradise Juvenile delinquency 'Rebel without a cause', or 'eternal recurrence' Is the end of violence possible? ...
