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Informationen zum Autor John Warrack has been the Music Critic of The Sunday Telegraph and Lecturer in Music at the University of Oxford. Klappentext German opera from its primitive origins up to Wagner is the subject of this wide-ranging history! the only one of its kind in any language. It traces the growth of the humble Singspiel into a vehicle for the genius of Mozart and Beethoven! together with the persistent attempts at German Grand Opera. The many operas studied are placed in their historical! social and theatrical context! and attention is paid to the literary! artistic and philosophical ideas that made them part of the country's intellectual history. Zusammenfassung German opera from its primitive origins up to Wagner is the subject of this wide-ranging history. The many operas studied are placed in their historical! social and theatrical context! and attention is paid to the literary! artistic and philosophical ideas that made them part of the country's intellectual history. Inhaltsverzeichnis Acknowledgements; List of abbreviations; Map: centres of German opera; 1. Sixteenth-century beginnings; 2. The Thirty Years War and its aftermath; 3. The Hamburg enterprise; 4. Travelling troupes and changing attitudes; 5. From the Seven Years War to the French Revolution; 6. The Viennese Singspiel; 7. Mozart's German operas; 8. From the French Revolution to the turn of the century; 9. French opera in Germany after the Revolution; 10. New critics and singers; 11. Opera in a new century: the first decade (I); 12. Opera in a new century: the first decade (II); 13. The growth of Romantic and grand opera; 14. Romantic opera and grand opera in the 1820s (I); 15. Romantic opera and grand opera in the 1820s (II); 16. Opera in the mid-nineteenth century (I); Opera in the mid-nineteenth century (II); 18. Wagner; Appendix: list of operas; Bibliography; Index.
