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A Coat of Many Colors investigates Israel's first seven years as a sovereign state through the unusual prism of dress. Clothes worn by Israelis in the 1950s reflected political ideologies, economic conditions, military priorities, social distinctions, and cultural preferences, and all played a part in consolidating a new national identity. Based on a wide range of textual and visual historical documents, the book covers both what Israelis wore in various circumstances and what they said and wrote about clothing and fashion. Written in a clear and accessible style that will appeal to the general reader as well as students and scholars, A Coat of Many Colors introduces the reader both to Israel's history during its formative years and to the rich field of dress culture.
Info autore
Anat Helman (Ph.D. Hebrew University) is a lecturer in the Jewish History Department and the Cultural Studies Program at Hebrew University. Her most recent publications include: Tel Aviv¿s Culture during the Mandate Era (in Hebrew) and The Voice of the First Hebrew City to its Residents: Municipal Posters in Mandate Era Tel Aviv, with Yael Reshef (in Hebrew, forthcoming in Israel).
Riassunto
Clothes worn by Israelis in the 1950s reflected political ideologies, economic conditions, military priorities, social distinctions, and cultural preferences, and all played a part in consolidating a new national identity. This book covers both what Israelis wore in various circumstances and what they said and wrote about clothing and fashion.
Testo aggiuntivo
“This is an important and well-written historic sociological study, which may interest researchers, students and the general public. The scope of primary sources, including photographs, texts and caricatures, is impressive and indicates thorough research. The author used a semiotic research method to analyse these sources and tried to ‘read’ the clothing as a language, while examining the attitude of people who lived during this period toward the Israeli dress culture. The book’s contribution is in that it skillfully connects between dress and society and vice versa, and uses dress to expose the social context of the State [of Israel] in its early years. It takes the reader on a fascinating journey of acquaintance with the array of social aspects during this period: culture, identity, ethnic relations, military, economy, religion, social boundaries, politics, generation and gender differences, trends of inclusion and exclusion, verbal and nonverbal communication, and more. . . . The book is recommended for anyone interested in fashion, moulding of the collective identity, the history of the State of Israel, and the emergent (informal) cultural pluralism in the early years of the state, as symbolically reflected in the coat of many colours of Joseph, beloved son of Jacob: one garment with many colours.”
