Fr. 48.90

After the Silents - Hollywood Film Music in the Early Sound Era, 1926-1934

Inglese · Tascabile

Spedizione di solito entro 1 a 3 settimane (non disponibile a breve termine)

Descrizione

Ulteriori informazioni

Slowik follows filmmakers shifting combinations of sound and image, recapturing the volatility of this era and the variety of film music strategies that were tested, abandoned, and kept. He explores early film music experiments and accompaniment practices in opera, melodrama, musicals, radio, and silent films and discusses the impact of the advent of synchronized dialogue. He concludes with a reassessment of King Kong and its groundbreaking approach to film music, challenging the films place and importance in the timeline of sound achievement.

Sommario

AcknowledgmentsIntroduction1. A Wide Array of Choices: Musical Influences in the 1920s2. Music in Early Synchronized and Part-Talking Films, 1926--19293. Toward a Sparse Music Style: Music in the 100 Percent Talkie, 1928--19314. Interlude: The Hollywood Musical, 1929--19325. Music and Other Worlds: The Hollywood Film Score, 1931--19336. Reassessing King Kong; or, The Hollywood Film Score, 1933--1934ConclusionAppendix: Chronological Filmography, 1926--1934NotesBibliographyIndex

Info autore










Michael Slowik is assistant professor of television, film, and new media at San Diego State University. His work appears in Cinema Journal; American Music; The Journal of American Culture; Journal of Popular Film and Television; Music, Sound, and the Moving Image; Nineteenth-Century Theatre and Film; and Quarterly Review of Film and Video.

Riassunto

Viewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood’s initial development

Relazione

"Slowik has done some essential and necessary research in important archival collections. He not only sketches out the important trends and developments of this nascent period of classical film music history, but also makes a compelling argument that there are important continuities that connect the mature silent period with the early sound period." - Jeff Smith, University of Wisconsin Madison, and author of The Sounds of Commerce: Marketing Popular Film Music

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