Fr. 246.00

Elizabeth Barrett Browning - 21st-Century Oxford Authors

Inglese · Copertina rigida

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A comprehensive selection of the work of the eighteenth-century poet Elizabeth Barrett-Browning, this edition includes the full text of some of Barrett Browning's most celebrated works as well as generous selections from her lesser-known works, her diary, and family letters.

Sommario










  • Introduction

  • Chronology

  • A Note on the Selection and Ordering

  • Part I: EARLY WORKS AND THE BARRETT FAMILY WRITINGS (1820-33)

  • From The Battle of Marathon (1820)

  • From (unpublished) 'Fragment of An Essay on Woman' (1822)

  • From An Essay on Mind (1826)

  • To My Father on His Birth-Day (1826)

  • Song ('Weep as if you thought of laughter') (1826)

  • Verses to my Brother (1826)

  • Letter to Hugh Stuart Boyd (1828)

  • Diary 1831-2

  • From Preface to translation of Aeschylus, Prometheus Bound (1833)

  • From translation of Prometheus Bound (1833)

  • A True Dream (1833)

  • PART II: THE SERAPHIM AND OTHER POEMS (1838), CORRESPONDENCE 1841-5

  • From Preface

  • From The Seraphim

  • From The Poet's Vow

  • From The Romaunt of Margret

  • The Deserted Garden

  • Death of Bro (1840), Letters (1841-45)

  • SECTION III: POEMS (1844)

  • Dedication: To My Father

  • From Preface

  • Past and Future

  • Irreparableness

  • Grief

  • Tears

  • Substitution

  • Work and Contemplation

  • Letter to John Kenyon

  • from A Drama of Exile

  • An Apprehension

  • To George Sand: A Recognition

  • The Soul's Expression

  • from The Lost Bower

  • The Lady's Yes

  • The Cry of the Children

  • Lady Geraldine's Courtship

  • SECTION IV: The Courtship Correspondence (1845-6)

  • From the letters of EBB and Robert Browning (January 1845- April 1846

  • SECTION V: POEMS 1850

  • Sonnets from the Portuguese

  • A Denial (1856)

  • The Runaway Slave at Pilgrim's Point

  • A Reed

  • A Sabbath Morning at Sea

  • A Woman's Shortcomings

  • A Man's Requirements

  • The Mask

  • SECTION VI: CASA GUIDI WINDOWS (1851)

  • Advertisement to the First Edition

  • from Part I

  • from Part II

  • SECTION VII: AURORA LEIGH (1856)

  • Dedication

  • First Book

  • Second Book

  • Third Book

  • Fourth Book

  • Fifth Book

  • Sixth Book

  • Seventh Book

  • Eighth Book

  • Ninth Book

  • SECTION VIII: LAST POEMS (1862)

  • Bianca Among the Nightingales

  • Mother and Poet

  • A Musical Instrument

  • Lord Walter's Wife

  • Died

  • My Heart and I

  • The Best Thing in the World

  • NOTES



Info autore

Dr Josie Billington is a specialist in Victorian Literature who has published widely on nineteenth-century fiction and poetry -- Faithful Realism (2002), (ed) Elizabeth Gaskell's Wives and Daughters (2006), Eliot's Middlemarch (2008), Elizabeth Barrett Browning and Shakespeare (2012), (ed) Margaret Oliphant Novellas (2013) -- and on interdisciplinary medical humanities research in the area of reading and health.

Professor Philip Davis is author of The Victorians 1830-1880 in The Oxford English Literary History series (OUP, 2002), Sudden Shakespeare (1997) Shakespeare Thinking (2007) and the biography, Bernard Malamud: A Writer's Life (OUP, 2007). He is general editor of a new series from Oxford University Press, 'The Literary Agenda', on the future of literary studies in the twenty-first century, contributing his own volume Reading and The Reader (OUP, 2013) building on The Experience of Reading (1991) and Real Voices: On Reading (1997). He is editor of The Reader magazine.

Riassunto

A comprehensive selection of the work of the eighteenth-century poet Elizabeth Barrett-Browning, this edition includes the full text of some of Barrett Browning's most celebrated works as well as generous selections from her lesser-known works, her diary, and family letters.

Testo aggiuntivo

The edition will make an excellent teaching text and expose students to the substantial range of Barrett Brownings poetry.

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