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Zusatztext These reflections do not fail to pose many difficulties to the musical theory: where does the identity of the work lie? Is there a hierarchy between different "versions" of the same "composition"? Why are some compositions not intended to be listened to publicly but only to provide the raw material of improvisation?...What is the relationship between human and technology? In asking these questions, Mark Butler invites us to go beyond many of the common places of musicology that have been settled since the nineteenth century as the objections between product and process, work and performance, composition and improvisation - and many othersIt shows us that popular electronic music is the current place for an intense widening of the spectrum of possible on the future of musical creation, both in the field of avant-garde and mainstream music. Informationen zum Autor Mark J. Butler is Associate Professor of Music Theory and Cognition at Northwestern University and is the author of Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music (Indiana University, 2006). Klappentext The most familiar format of electronic dance music is the DJ set. Performed live with turntables, headphones, twelve-inch vinyl records, and a mixing board, these performances are largely improvised, evolving in response to the demands of a particular situation through interaction with a dancing audience. Zusammenfassung The most familiar format of electronic dance music is the DJ set. Performed live with turntables, headphones, twelve-inch vinyl records, and a mixing board, these performances are largely improvised, evolving in response to the demands of a particular situation through interaction with a dancing audience.
