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Informationen zum Autor John A. Rice has taught music history at the University of Washington, Colby College, the University of Houston, the University of Texas, and the University of Alabama, where in 2005 he occupied the Endowed Chair in Music. Klappentext Presenting a fresh approach to Mozart's achievements as a composer for the stage! John A. Rice outlines the composer's place in the operatic culture of his time. The book tells the story of how Mozart's operas came into existence! following the processes that Mozart went through as he brought his operas from commission to performance. Chapters trace the fascinating series of interactions that took place between Mozart and librettists! singers! stage designers! orchestras! and audiences. In linking the operas by topic! Rice emphasizes what Mozart's operas have in common! regardless of when he wrote them and the genres to which they belong. Overall! the book demonstrates how Mozart's entire operatic oeuvre is the product of a single extraordinary mind and a single pan-European operatic culture. Zusammenfassung Presenting a fresh view of Mozart's achievements as a composer for the stage! John A. Rice considers Mozart's place in the operatic culture of his time. Linking the operas by topics! this book follows the processes that Mozart went through as he brought his operas from commission to performance. Inhaltsverzeichnis Preface; 1. Mozart in the theater; 2. Mozart's operas: function, genres, archetypes; 3. Commissions, fees, and the origins of Mozart's operas; 4. Mozart and his librettists; 5. Composition; 6. Mozart and his singers; 7. Rehearsal, revision, and promotion; 8. Theaters and stage design; 9. The audience; 10. Performance and reception.
