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Lucy Pennant, as a clay button, has been tossed out into the heaving Heaps to be lost forever.
Trapped in a half-sovereign coin, Clod Iremonger is being passed from pocket to cash till, hand to filthy Foulsham street corner.
Both must discover who they are on the inside - an object? An Iremonger? A friend? A hero?
Info autore
Edward Carey is a playwright, novelist and illustrator. He has worked for the theatre in London, Lithuania and Romania and with a shadow puppet master in Malaysia. He has written two illustrated novels for adults - OBSERVATORY MANSIONS and ALVA AND IRVA - and both have been translated into many different languages. He lives in Austin, Texas, where he wrote the Iremonger Trilogy because he missed feeling cold and gloomy. Follow Edward on Twitter: @EdwardCarey70 or find out more about his books at edwardcareyauthor.com
Riassunto
'Roald Dahl by way of Charles Dickens' - Vox.com
Dark, gothic and delightfully macabre, the Iremonger family return...
Foulsham, London's great filth repository, is bursting at the seams. The walls that keep the muck in are buckling, rubbish is spilling over the top, back into the city that it came from. In the Iremonger family offices, Grandfather Umbitt Iremonger broods: in his misery and fury at the people of London, he has found a way of making everyday objects assume human shape, and turning real people into objects.
Abandoned in the depths of the Heaps, Lucy Pennant has been rescued by a terrifying creature, Binadit Iremonger - more animal than human. She is desperate and determined to find Clod. But unbeknownst to her, Clod has become a golden sovereign and is 'lost'. He is being passed as currency from hand to hand all around Foulsham, and yet everywhere people are searching for him, desperate to get hold of this dangerous Iremonger, who, it is believed, has the power to bring the mighty Umbitt down.
But all around the city, things, everyday things, are twitching into life...
Prefazione
Dark, gothic and delightfully macabre, the Iremonger family return...
