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Zusatztext 77513989 Informationen zum Autor BOB THOMPSON was a longtime feature writer for The Washington Post and the editor of its Sunday magazine. During his years at Post , he was known for his pieces on the intersection of American history and myth. Klappentext Pioneer. Congressman. Martyr of the Alamo. King of the Wild Frontier. As with all great legends, Davy Crockett's has been retold many times. Over the years, he has been repeatedly reinvented by historians and popular storytellers. In Born on a Mountaintop , Bob Thompson c ombines the stories of the real hero and his Disney-enhanced afterlife as he delves deep into our love for an American icon. In the road-trip tradition of Sarah Vowell and Tony Horwitz, Thompson follows Crockett's footsteps from his birthplace in east Tennessee to Washington, where he served three terms in Congress, and on to Texas and the gates of the Alamo, seeking out those who know, love, and are still willing to fight over Davy's life and legacy. Born on a Mountaintop is more than just a bold new biography of one of the great American heroes. Thompson's rich mix of scholarship, reportage, humor, and exploration of modern Crockett landscapes bring Davy Crockett's impact on the American imagination vividly to life.Chapter 1 “Play That Song Again” Minutes after I walked into Alamo Plaza, I saw my first Davy Crockett ghost. He took the form of a solidly built man in an outsized coonskin cap--the kind with a cute little raccoon face as well as a bushy tail--who handed me a business card. “He’s my great-great-great-grandfather,” David Preston Crockett said. “Yeah, I’m a grandson of the famous Davy Crockett.” David had put on his Crockett finery for the occasion, which was the 175th anniversary of his ancestor’s death at the Alamo, most likely within a few yards of where we stood. In addition to the cap, he wore a long fringed jacket and matching pants that looked as if they were made of buckskin but weren’t. “Would you believe this stuff came from Walmart?” he asked. Then he told me how he’d bought some chamois cloth, maybe ten years before, and learned to sew. San Antonio, Texas, was my last stop on a search for traces of the historical and mythical Crockett--for the “ghosts,” as I’d come to think of them, of an extraordinary American life. Colorful threads of Davy’s story had been spun into legend while the man himself was still alive, and that story’s epic ending on the morning of March 6, 1836, had rendered him immortal. If you were hunting Crockett ghosts, on this anniversary weekend, the Alamo was the place to be. For starters, there were all the other guys decked out in raccoon caps and brown fringed garments. At one point, I saw two Davys in full regalia--both associated with a production company that specialized in historical films--shake each other’s hands in front of the Alamo church. Up walked a tourist who’d heard that the real Crockett might have carved his name on the church’s iconic facade. One of the Davys set her straight. “Mr. Crockett was a gentleman. Mr. Crockett would not do that,” he said. “I’ll take that to the bank.” A few hours later, waiting for a reenactment of the siege and battle to begin, I found myself standing next to two more Davys. Mike and Mark Chenault of Dallas were identical sixtyish twins wearing identical Crockett outfits. I asked one of them--I’m pretty sure it was Mark--what made them fans. “Just Crockett’s devotion, his patriotism to America,” he told me. “He came all the way from Tennessee, you know, and the timing was just so perfect.” I don’t think Davy would have agreed about the timing. The former congressman hadn’t planned on coming to Texas just to die. Still, dying was what the Crockett we’d all come to see was about to do. Doug Davenport was a craggy-faced reenactor from t...