Fr. 70.00

Soul of Film Theory

Inglese · Copertina rigida

Spedizione di solito entro 6 a 7 settimane

Descrizione

Ulteriori informazioni

"In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. Fromthe origins of film theory - from Hugo Mèunsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Amâedâee Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"--

Sommario

Introduction: The Soul of Film Theory 1. Classical Souls 2. Signifying Souls 3. Body and Soul Concluding Remarks

Relazione

"This is an exceptional, brilliant, and very wide-reaching volume. It makes bold and beautiful claims about the soul in theory and in film. Through Sarah Cooper's reflective attention to cinema from its inception forwards, and her fine engagement with film philosophy, a different history emerges." - Emma Wilson, University of Cambridge, UK

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