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Trevor Cribben Merrill offers a bold reassessment of Milan Kundera's place in the contemporary canon. Harold Bloom and others have dismissed the Franco-Czech author as a maker of "period pieces" that lost currency once the Berlin Wall fell. Merrill refutes this view, revealing a previously unexplored dimension of Kundera's fiction. Building on theorist Rene Girard's notion of "triangular desire," he shows that modern classics such as The Unbearable Lightness of Being and The Book of Laughter and Forgetting display a counterintuitive-and bitterly funny-understanding of human attraction.Most works of fiction (and most movies, too) depict passionate feelings as deeply authentic and spontaneous. Kundera's novels and short stories overturn this romantic dogma. A pounding heart and sweaty palms could mean that we have found "the One" at last-or they could attest to the influence of a model whose desires we are unconsciously borrowing: our amorous predilections may owe less to personal taste or physical chemistry than they do to imitative desire. At once a comprehensive survey of Kundera's novels and a witty introduction to Girard's mimetic theory, The Book of Imitation and Desire challenges our assumptions about human motive and renews our understanding of a major contemporary author.
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Trevor Cribben Merrill sits on the Research Committee of Imitatio: Integrating the Human Sciences. He studied literature at Yale and the Ecole normale supérieure and in 2011 received his Ph.D. in French from UCLA, USA, where he was a Chancellor's Fellow. He has co-edited La Conversion de l'art (Flammarion, 2010), a book of essays by René Girard, and collaborated on Psychopolitics (Michigan State University Press, 2012), a dialogue with French psychiatrist Jean-Michel Oughourlian. His articles and reviews have appeared in Esprit, The Oxonian Review, Lingua Romana, and Heliopolis.
