Ulteriori informazioni
Informationen zum Autor Isabel Santaolalla is Professor of Spanish and Film Studies at the University of Roehampton Klappentext Director, actress, scriptwriter and producer, Iciar Bollaín is one of the liveliest of contemporary young Spanish filmmakers and the first female director to have had a film (También la lluvia, 2010) shortlisted by the American Film Academy. Through detailed analysis of film form, socio-cultural contexts and conditions of production and consumption, the book opens up key issues on gender, production, film authorship, the mediation of socio-historical realities and the whole question of 'women's cinema'. Covering all aspects of her work, this book begins by taking in her work in front of the camera, beginning with her emergence as a teenage star in Victor Erice's El Sur (1983), and following on with discussions of her mature roles, such as Un paraguas para tres and Leo . Discussion of her work as a producer and director focuses on production and form, as well as on the socio-historical contexts to which it belongs. Film scholars and students interested in the increasingly prominent place of modern Spanish cinema will find this highly readable book an indispensable guide to an outstanding film-maker, one who addresses some of the more vibrant of contemporary themes: female friendship in Hola, ¿estás sola?, immigration in Flores de otro mundo, domestic violence in Te doy mis ojos, tensions between public and private commitments in Mataharis, and socio-economic exploitation in También la lluvia. Inhaltsverzeichnis Note on referencing and translationIntroductionI. In front of the camera1. El Sur (Víctor Erice, 1983): teenage-star for the New Spanish Cinema2. Un paraguas para tres (Felipe Vega, 1991): RomCom Bollaín3. Land and Freedom (Ken Loach, 1995): acting history without a script 4. Leo (José Luis Borau, 2000): redhead reckoningII. Behind the camera1. Short films: shortcuts and longshots. Baja corazón (1992), Los amigos del muerto (1995), Amores que matan (2000), Por tu bien (2004)2. Hola, ¿estás sola? (1995): the roads to freedom3. Flores de otro mundo (1999): homeward the women4. Te doy mis ojos (2003): eyes wide open5. Mataharis (2007): secrets, lies and truths6. También la lluvia (2010): El Dorado burning ConclusionFilmography Films by Iciar BollaínOther films mentionedReferencesIndex...
Sommario
Note on referencing and translation
Introduction
I. In front of the camera
1. El Sur (Víctor Erice, 1983): teenage-star for the New Spanish Cinema
2. Un paraguas para tres (Felipe Vega, 1991): RomCom Bollaín
3. Land and Freedom (Ken Loach, 1995): acting history without a script
4. Leo (José Luis Borau, 2000): redhead reckoning
II. Behind the camera
1. Short films: shortcuts and longshots. Baja corazón (1992), Los amigos del muerto (1995), Amores que matan (2000), Por tu bien (2004)
2. Hola, ¿estás sola? (1995): the roads to freedom
3. Flores de otro mundo (1999): homeward the women
4. Te doy mis ojos (2003): eyes wide open
5. Mataharis (2007): secrets, lies and truths
6. También la lluvia (2010): El Dorado burning
Conclusion
Filmography
Films by Iciar Bollaín
Other films mentioned
References
Index
Info autore
Isabel Santaolalla is Professor of Spanish and Film Studies at the University of Roehampton
