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Informationen zum Autor Stuart Hall was born and raised in Jamaica and arrived in Britain on a Rhodes scholarship to Oxford in 1950. In 1958, he left his PhD on Henry James to found the New Left Review , which did much to open a debate about immigration and the politics of identity. Along with Raymond Williams and Richard Hoggart he established the first Cultural Studies programme at a British university in Birmingham in 1964, bringing the study of popular culture into the understanding of political and social change. After spending more than four decades as one of the UK's leading public intellectuals, Hall retired from formal academic life in 1997 and since then has continued to devote himself to questions of representation, creativity and difference. He became the chair of two foundations, Iniva, the Institute of International Visual Arts, and Autograph ABP, which seeks to promote photographers from culturally diverse backgrounds, and championed the opening of Iniva's new Rivington Place arts complex in east London in 2007. Klappentext Highly anticipated Second Edition of one of the most popular and influential books ever written in media and cultural studies. A genuine classic, expertly updated for a new generation of students and researchers.Highly anticipated Second Edition of one of the most popular and influential books ever written in media and cultural studies. A genuine classic, expertly updated for a new generation of students and researchers. Inhaltsverzeichnis THE WORK OF REPRESENTATION - Stuart Hall Representation, Meaning and Language Making Meaning, Representing Things Language and Representation Sharing the Codes Theories of Representation The Language of Traffic Lights Summary Saussure¿s Legacy The Social Part of Language Critique of Saussure¿s Model Summary From Language to Culture: Linguistics to Semiotics Myth Today Discourse, Power and the Subject From Language to Discourse Historicizing Discourse: Discursive Practices From Discourse to Power/Knowledge Summary: Foucault and Representation Charcot and the Performance of Hysteria Where is the ¿Subject¿? How to Make Sense of Velasquez¿ Las Meninas The Subject of/in Representation Conclusion: Representation, Meaning and Language Reconsidered READING A: Norman Bryson, ¿Language, reflection and still life¿ READING B: Roland Barthes, ¿The world of wrestling¿ READING C: Roland Barthes, ¿Myth today¿ READING D: Roland Barthes, ¿Rhetoric of the image¿ READING E: Ernesto Laclau and Chantal Mouffe, New reflections on the revolution of our time READING F: Elaine Showalter, ¿The performance of hysteriä RECORDING REALITY: DOCUMENTARY FILM AND TELEVISION - Frances Bonner Introduction What Do We Mean By ¿Documentary¿? Non-fiction Texts Defining Documentary Types of Documentary Categorising Documentary Alternative Categories Ethical Documentary Film-making Dramatisation and the Documentary Scripting and Re-enactment in the Documentary Docudrama Documentary - An Historic Genre? ¿Postdocumentary¿? Docusoaps Reality TV Natural History Documentaries Documenting Animal Life Conclusion READING A: Nichols Bill, ¿The Qualities of Voice¿ READING B: John Corner, ¿Performing the real: documentary diversions¿ READING C: Derek Bousé, ¿Historia Fabulosus ¿ THE POETICS AND THE POLITICS OF EXHIBITING OTHER CULTURES - Henrietta Lidchi Introduction Establishing Definitions, Negotiating Meanings, Discerning Objects Introduction What is a ¿Museum¿? What is an ¿Ethnographic Museum¿? Objects and Meanings The Uses of Text Questions of Context Summary Fashioning Cultures: The Poetics of Exhibiting Introduction Introducing Paradise ...
