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Informationen zum Autor Paul Crowther is Professor of Philosophy at the National University of Ireland, Galway. Vorwort The first sustained phenomenological approach to modern art, taking a new approach and drawing upon an unsual selection of thinkers. Zusammenfassung As a philosophical approach, phenomenology is concerned with structure in how phenomena are experienced. This title uses phenomenological insights to explain the significance of style in modern art, most notably in Impressionism, Expressionism, Cezanne and Cubism, Duchampian conceptualism and abstract art. Inhaltsverzeichnis List of Illustrations \ Acknowledgements \ Introduction: The Interpretation of Modern Art \ 1. Releasing Style from Sensation: Deleuze, Francis Bacon and Modern Painting \ 2. Origins of Modernism and the Avant-Garde \ 3. Nietzsche and the Varieties of Expressionism \ 4. Merleau-Ponty's Cezanne \ 5. Interpreting Cubist Space: From Kant to Phenomenology \ 6. Duchamp, Kant, and Conceptual Phenomena \ 7. Greenberg's Kant and Modernist Painting \ 8. Deleuze and the Interpretation of Abstract Art \ 9. Plane Truths: Hans Hofmann, Modern Art and the Meaning of Abstraction \ Notes \ Bibliography \ Index
