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Zusatztext As a theatre studies teacher, this book is a relative breath of fresh air and may make you exclaim: 'Yes at last, someone is writing about contemporary plays, playwrights and performances!'...The beauty of this book is that it gives some of the theory behind the shift in the writing: giving us a social, cultural and political context...In order to understand the context behind new writing, this book is a must read! Informationen zum Autor Aleks Sierz is the theatre critic of Tribune and a freelance theatre reviewer. He is a lecturer in modern British theatre whose seminal study, In-Yer-Face Theatre , defined a new generation of writers and their work. In 2006 Methuen Drama published his guide, The Theatre of Martin Crimp , which was followed up by 2012's Modern British Playwriting: the 1990s . Sierz's journalism has featured in the Sunday Times , the Daily Telegraph and the Independent . He is a widely read, highly regarded critic of modern British theatre. Aleks Sierz FRSA is Visiting Professor at Rose Bruford College, London, UK, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001), John Osborne's Look Back in Anger (Continuum, 2008), Rewriting the Nation: British Theatre Today (Methuen Drama, 2011) and Modern British Playwriting: The 1990s (Methuen Drama 2012). He also works as a journalist, broadcaster, lecturer and theatre critic. Klappentext This is an essential guide for anyone interested in the best new British stage plays to emerge in the new millennium. For students of theatre studies and theatre-goers Rewriting the Nation: British Theatre Today is a perfect companion to Britain's burgeoning theatre writing scene. It explores the context from which new plays have emerged and charts the way that playwrights have responded to the key concerns of the decade and helped shape our sense of who we are. In recent years British theatre has seen a renaissance in playwriting accompanied by a proliferation of writing awards and new writing groups. The book provides an in-depth exploration of the industry and of the key plays and playwrights. It opens by defining what is meant by 'new writing' and providing a study of the leading theatres, such as the Royal Court, the Traverse, the Bush, the Hampstead and the National theatres, together with the London fringe and the work of touring companies. In the second part, Sierz provides a fascinating survey of the main issues that have characterised new plays in the first decade of the new century, such as foreign policy and war overseas, economic boom and bust, divided communities and questions of identity and race. It considers too how playwrights have re-examined domestic issues of family, of love, of growing up, and the fantasies and nightmares of the mind. Against the backdrop of economic, political and social change under New Labour, Sierz shows how British theatre responded to these changes and in doing so has been and remains deeply involved in the project of rewriting the nation. Vorwort A perfect companion to British theatre from 2000-2010 that examines the burgeoning 'new writing' system, provides a study of the principle theatres associated with it and explores in themed chapters the key concerns being addressed by the main playwrights who have gained acclaim in the last ten years. Zusammenfassung A perfect companion to British theatre from 2000-2010 that examines the burgeoning 'new writing' system, provides a study of the principle theatres associated with it and explores in themed chapters the key concerns being addressed by the main playwrights who have gained acclaim in the last ten years....
