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A Future in Ruins is an eye-opening look at the United Nations Educational, Scientific and Cultural Organization (UNESCO). Focusing on early luminaries like H.G. Wells, Aldous, and Julian Huxley, with their dystopian fears for the future, through to the devastation of ancient sites like Cuzco, Abu Simbel, the Bamiyan Valley, and Palmyra, the book traces how, from 1945 to the present, cultural heritage has been a vital part of the elusive hope for a better world.
List of contents
- Preface
- Acknowledgements
- Abbreviations
- Chapter 1: Utopia
- Chapter 2: Internationalism
- Chapter 3: Technocracy
- Chapter 4: Conservation
- Chapter 5: Inscription
- Chapter 6: Conflict
- Chapter 7: Danger
- Chapter 8: Dystopia
- Bibliography
About the author
Lynn Meskell is Professor in the Department of Anthropology at Stanford University, and Honorary Professor in the School of Geography, Archaeology, and Environmental Studies at the University of the Witwatersrand, Johannesburg, South Africa. Her previous books include Private Life in New Kingdom Egypt, The Nature of Culture: The New South Africa, and, as editor, Global Heritage: A Reader.
Summary
Best known for its World Heritage program committed to "the identification, protection and preservation of cultural and natural heritage around the world considered to be of outstanding value to humanity," the United Nations Educational, Scientific and Cultural Organization (UNESCO) was founded in 1945 as an intergovernmental agency aimed at fostering peace, humanitarianism, and intercultural understanding. Its mission was inspired by leading European intellectuals such as Henri Bergson, Marie Curie, Albert Einstein, Thomas Mann, H. G. Wells, and Aldous and Julian Huxley. Often critiqued for its inherent Eurocentrism, UNESCO and its World Heritage program today remain embedded within modernist principles of "progress" and "development" and subscribe to the liberal principles of diplomacy and mutual tolerance. However, its mission to prevent conflict, destruction, and intolerance, while noble and much needed, increasingly falls short, as recent battles over the World Heritage sites of Preah Vihear, Chersonesos, Jerusalem, Palmyra, Aleppo, and Sana'a, among others, have underlined.
A Future in Ruins is the story of UNESCO's efforts to save the world's heritage and, in doing so, forge an international community dedicated to peaceful co-existence and conservation. It traces how archaeology and internationalism were united in Western initiatives after the political upheavals of the First and Second World Wars. This formed the backdrop for the emergent hopes of a better world that were to captivate the "minds of men." UNESCO's leaders were also confronted with challenges and conflicts about their own mission. Would the organization aspire to intellectual pursuits that contributed to the dream of peace or instead be relegated to an advisory and technical agency? An eye-opening and long overdue account of a celebrated yet poorly understood agency, A Future in Ruins calls on us all to understand how and why the past comes to matter in the present, who shapes it, and who wins or loses as a consequence.
Additional text
In A Future in Ruins, archaeologist Lynn Meskell offers an institutional ethnography of UNESCO. The organization's broad remit ranges from publishing to promoting women in science, but Meskell focuses exclusively on its role in protecting world heritage and archaeology, particularly through the 1972 World Heritage Convention. Inevitably, this role has been highly political. UNESCO's mission was to end global conflict and help the world rebuild materially and morally, Meskell observes. Yet increasingly, she argues, its efforts are caught up in the proliferation and prolongation of local conflicts and tensions...Meskell offers a trenchant critique of how UNESCO's aim of preventing war sits oddly with projects commemorating sites associated with violence [while noting] notes that international recognition enshrines only one version of history."- Nature
