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Informationen zum Autor Birmingham-born Daniel Rachel is a former musician-turned-award-winning and bestselling author whose previous works include: Isle of Noises: Conversations with Great British Songwriters (a Guardian and NME Book of the Year), Walls Come Tumbling Down: the music & politics of Rock Against Racism, 2 Tone and Red Wedge (winner of the Penderyn Music Book prize), Don't Look Back in Anger: the Rise & Fall of Cool Britannia (An Evening Standard and Metro Book of the Year), The Lost Album of The Beatles: What if the Beatles hadn't Split Up? (Guardian Book of the Day and Amazon No. 1 Bestseller), One For The Road (The Life & Lyrics of Simon Fowler & Ocean Colour Scene) Oasis: Knebworth: Two Nights That Will Live Forever (with Jill Furmanovsky - A Sunday Times Bestseller), When Ziggy Played the Marquee by Terry O'Neill (editor) and co-writer of Ranking Roger's autobiography I Just Can't Stop It: My Life in The Beat (a Vive Le Rock Book of the Year). In 2021, Daniel was a guest curator of 2 Tone Lives & Legacies exhibition as part of Coventry Cultural City 2021 and curated the anniversary edition of the Selecter's debut album Too Much Pressure . Klappentext A SUNDAY TIMES MUSIC BOOK OF THE YEAR 2023 #2 UNCUT BOOK OF THE YEAR 2023 A RESIDENT BOOK OF THE YEAR 2023 In 1979, 2 Tone exploded into the national consciousness as records by The Specials, The Selecter, Madness, The Beat, and The Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was black and white: a multi-racial force of British and Caribbean island musicians singing about social issues, racism, class and gender struggles. It spoke of injustices in society and took fight against right wing extremism. The music of 2 Tone was exuberant: white youth learning to dance to the infectious rhythm of ska and reggae; and crossed with a punk attitude to create an original hybrid. The idea of 2 Tone was born in Coventry, masterminded by a middle-class art student raised in the church. Jerry Dammers had a vision of an English Motown. Borrowing GBP700, the label's first record featured 'Gangsters' by The Specials' backed by an instrumental track by the, as yet, unformed, Selecter. Within two months the single was at number six in the national charts. Dammers signed Madness, The Beat and The Bodysnatchers as a glut of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, soon infighting amongst the bands and the pressures of running a label caused 2 Tone to bow to an inevitable weight of expectation and recrimination. Still under the auspices of Jerry Dammers, 2 Tone entered in a new phase. Perhaps not as commercially successful as its 1979-1981 incarnation the label nevertheless continued to thrive for a further four years releasing a string of fresh signings and a stunning end-piece finale in '(Free) Nelson Mandela'. Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment, shaped British culture. Vorwort The definitive story of 2 Tone Records Zusammenfassung A SUNDAY TIMES MUSIC BOOK OF THE YEAR 2023 #2 UNCUT BOOK OF THE YEAR 2023 A RESIDENT BOOK OF THE YEAR 2023 In 1979, 2 Tone exploded into the national consciousness as records by The Specials, The Selecter, Madness, The Beat, and The Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was black and white: a multi-racial force of British and Caribbean island musicians singing about social issues, racism, class and gender struggles. It spoke of injustices in society and took fight against right wing extremism. The music of 2 Tone was exuberant: white youth learning to dance to the infectious rhythm o...
