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Zusatztext “Remarkable . . . an original and chilling quality, surpassed only by Primo Levi’s Survival in Auschwitz ” — The New York Review of Books “In his writing Imre Kertész explores the possibility of continuing to live and think as an individual in an era in which the subjection of human beings to social forces has become increasingly complete. [He] upholds the fragile experience of the individual against the barbaric arbitrariness of history.” —The Swedish Academy, The Nobel Prize in Literature 2002 “[S]hould be savored slowly . . . Only through exploring its subtlety and detail will the reader come to appreciate such an ornate and honest testimony to the human spirit.” — The Washington Times Informationen zum Autor Imre Kertesz Klappentext At the age of 14 Georg Koves is plucked from his home in a Jewish section of Budapest and without any particular malice, placed on a train to Auschwitz. He does not understand the reason for his fate. He doesn't particularly think of himself as Jewish. And his fellow prisoners, who decry his lack of Yiddish, keep telling him, "You are no Jew.” In the lowest circle of the Holocaust, Georg remains an outsider. The genius of Imre Kertesz's unblinking novel lies in its refusal to mitigate the strangeness of its events, not least of which is Georg's dogmatic insistence on making sense of what he witnesses-or pretending that what he witnesses makes sense. Haunting, evocative, and all the more horrifying for its rigorous avoidance of sentiment, Fatelessness is a masterpiece in the traditions of Primo Levi, Elie Wiesel, and Tadeusz Borowski. Leseprobe One I didn't go to school today. Or rather, I did go, but only to ask my class teacher's permission to take the day off. I also handed him the letter in which, referring to "family reasons," my father requested that I be excused. He asked what the "family reason" might be. I told him my father had been called up for labor service; after that he didn't raise a further peep against it. I didn't head home but to our shop. Father had said they would wait for me there. He added that I should hurry as well because he might need me. In actual fact, that was partly why he had asked me to be let off school. Or else so that "he might have me there on his last day before being separated from home," since he said that too, though admittedly some other time. He said it to my mother, as I recall, when he phoned her this morning. Today is a Thursday, as it happens, and on Thursdays and Sundays my afternoons, strictly speaking, belong to my mother. Still, Father informed her: "I can't let you have young Gyuri today," and then went on to give that as the reason. Though maybe it wasn't like that after all. I was rather sleepy this morning on account of last night's air-raid warning, so perhaps I don't remember it clearly. I am quite sure, though, that he said it-if not to Mother, then to someone else. I too spoke a few words to Mother, though I no longer remember what. I think she may have been annoyed with me because I was obliged to be a little short with her, what with Father being there: after all, today it is his wishes I have to consider. When I was about to set off from the house, even my stepmother had a few private words with me in the hall, just between the two of us. She said she hoped that, on what was such a sad day for us, "she could count on my behaving appropriately." I had no clue what I could say to that, so I said nothing. She may have misinterpreted my silence, however, because she went straight on to say something along the lines that she had no wish to offend my sensibilities with those words of advice, which, she was well aware, were quite unnecessary. She had no doubt that with me being a big boy, now in my fifteenth year, I was quite capable of grasping for myself the gravity of the blow that had been inflicted on...
