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Zusatztext “Mark Twain! in his presentation of Negroes as human beings! stands head and shoulders above the other Southern writers of his times.”— Langston Hughes Informationen zum Autor Ron Powers , a Pulitzer Prize–winning author and native of Hannibal, Missouri, has written twelve books, including Dangerous Water: A Biography of the Boy Who Became Mark Twain . He lives in Middlebury, Vermont. Klappentext Featuring the brilliantly drawn Roxanna, a mulatto slave who suffers dire consequences after switching her infant son with her master's baby, and the clever Pudd'nhead Wilson, an ostracized small-town lawyer, Twain's darkly comic masterpiece is a provocative exploration of slavery and miscegenation. Leslie A. Fiedler described the novel as "half melodramatic detective story, half bleak tragedy,” noting that "morally, it is one of the most honest books in our literature.” Those Extraordinary Twins, the slapstick story that evolved into Pudd'nhead Wilson, provides a fascinating view of the author's process. The text for this Modern Library Paperback Classic was set from the 1894 first American edition. Leseprobe Chapter 1 Tell the truth or trump-but get the trick. Pudd'nhead Wilson's Calendar The scene of this chronicle is the town of Dawson's Landing, on the Missouri side of the Mississippi, half a day's journey, per steamboat, below St. Louis. In 1830 it was a snug little collection of modest one- and two-story frame dwellings whose whitewashed exteriors were almost concealed from sight by climbing tangles of rose-vines, honeysuckles and morning-glories. Each of these pretty homes had a garden in front fenced with white palings and opulently stocked with hollyhocks, marigolds, touch-me-nots, prince's-feathers and other old-fashioned flowers; while on the window-sills of the houses stood wooden boxes containing moss-rose plants and terra-cotta pots in which grew a breed of geranium whose spread of intensely red blossoms accented the prevailing pink tint of the rose-clad house-front like an explosion of flame. When there was room on the ledge outside of the pots and boxes for a cat, the cat was there-in sunny weather-stretched at full length, asleep and blissful, with her furry belly to the sun and a paw curved over her nose. Then that house was complete, and its contentment and peace were made manifest to the world by this symbol, whose testimony is infallible. A home without a cat-and a well-fed, well-petted and properly revered cat-may be a perfect home, perhaps, but how can it prove title? All along the streets, on both sides, at the outer edge of the brick sidewalks, stood locust-trees with trunks protected by wooden boxing, and these furnished shade for summer and a sweet fragrance in spring when the clusters of buds came forth. The main street, one block back from the river, and running parallel with it, was the sole business street. It was six blocks long, and in each block two or three brick stores three stories high towered above interjected bunches of little frame shops. Swinging signs creaked in the wind, the street's whole length. The candy-striped pole which indicates nobility proud and ancient along the palace-bordered canals of Venice, indicated merely the humble barbershop along the main street of Dawson's Landing. On a chief corner stood a lofty unpainted pole wreathed from top to bottom with tin pots and pans and cups, the chief tinmonger's noisy notice to the world (when the wind blew) that his shop was on hand for business at that corner. The hamlet's front was washed by the clear waters of the great river; its body stretched itself rearward up a gentle incline; its most rearward border fringed itself out and scattered its houses about the base-line of the hills; the hills rose high, inclosing the town in a half-moon curve, clothed with forests from foot to summit. Stea...
