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Zusatztext “There’s no writing against such power as this—one has no chance.”—William Makepeace Thackeray Informationen zum Autor Charles Dickens Klappentext A darkly witty tale of two siblings' struggle to achieve happiness in the shadow of their father's pride To Paul Dombey, business is all and money can do anything. He runs his family life as he runs his firm: coldly, calculatingly and commercially. The only person he cares for is his frail son, grooming him for entry into the family business; his daughter Florence, abandoned and ignored, craves affection from her unloving father, who sees her only as a 'base coin that couldn't be invested'. As Dombey's callousness extends to others - from his defiant second wife Edith, to Florence's admirer Walter Gay - he sows the seeds of his own destruction. Can this heartless businessman be redeemed? A compelling depiction of a man imprisoned by his own pride, Dombey and Son explores the devastating effects of emotional deprivation on a dysfunctional family and on society as a whole. In his introduction, Andrew Sanders discusses the character of Paul Dombey, business and family relationships in Dombey and Son and their similarities to Dickens's own childhood. This edition also includes a chronology, further reading, appendices, notes and the original illustrations by 'Phiz'. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. CHAPTER I. Dombey and Son. Dombey sat in the corner of the darkened room in the great arm-chair by the bedside, and Son lay tucked up warm in a little basket bedstead, carefully disposed on a low settee immediately in front of the fire and close to it, as if his constitution were analogous to that of a muffin, and it was essential to toast him brown while he was very new. Dombey was about eight-and-forty years of age. Son about eight-and-forty minutes. Dombey was rather bald, rather red, and though a handsome well-made man, too stern and pompous in appearance, to be prepossessing. Son was very bald, and very red, and though (of course) an undeniably fine infant, somewhat crushed and spotty in his general effect, as yet. On the brow of Dombey, Time and his brother Care had set some marks, as on a tree that was to come down in good time—remorseless twins they are for striding through their human forests, notching as they go—while the countenance of Son was crossed and recrossed with a thousand little creases, which the same deceitful Time would take delight in smoothing out and wearing away with the flat part of his scythe, as a preparation of the surface for his deeper operations. Dombey, exulting in the long-looked-for event, jingled and jingled the heavy gold watch-chain that depended from below his trim blue coat, whereof the buttons sparkled phosphorescently in the feeble rays of the distant fire. Son, with his little fists curled up and clenched, seemed, in his feeble way, to be squaring at existence for having come upon him so unexpectedly. “The house will once again, Mrs. Dombey,” said Mr. Dombey, “be not only in name but in fact Dombey and Son; Dom-bey and Son!” The words had such a softening influence, that he appended a term of endearment to Mrs. Dombey’s name (though not without some hesitation, as being a man but little used to that form of address): and said, “Mrs. Dombey, my—my dear.” A transient flush of faint surprise overspread the sick lady’s face as she raised her eyes towards him. “He will be christ...
