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Zusatztext “[It is] by its hardness! its efficiency! its compactness that Mr. Lewis’s work excels.”— Virginia Woolf Informationen zum Autor Born in 1885 in Sauk Centre, Minnesota, Sinclair Lewis grew up as the son of a country doctor. A bookish and imaginative child, he often felt out of place in his small-town surroundings. This sense of detachment later shaped his sharp critiques of American provincial life.After graduating from Yale in 1908, Lewis worked in journalism and publishing before finding success as a novelist. His 1920 novel Main Street became a sensation, exposing the narrow-mindedness of small-town America. He followed it with Babbitt, Arrowsmith, and Elmer Gantry, each offering bold social commentary.In 1930, Lewis became the first American to win the Nobel Prize in Literature for his vivid storytelling and satire. Despite struggles with alcoholism, he continued writing until his death in 1951. His legacy endures through his fearless critiques of American culture and society. Klappentext In the fall of 1920, Sinclair Lewis began a novel set in a fast-growing city with the heart and mind of a small town. For the center of his cutting satire of American business he created the bustling, shallow, and myopic George F. Babbitt, the epitome of middle-class mediocrity. The novel cemented Lewis's prominence as a social commentator. Babbitt basks in his pedestrian success and the popularity it has brought him. He demands high moral standards from those around him while flirting with women, and he yearns to have rich friends while shunning those less fortunate than he. But Babbitt's secure complacency is shattered when his best friend is sent to prison, and he struggles to find meaning in his hollow life. He revolts, but finds that his former routine is not so easily thrown over. Chapter I I The towers of Zenith aspired above the morning mist; austere towers of steel and cement and limestone, sturdy as cliffs and delicate as silver rods. They were neither citadels nor churches, but frankly and beautifully office-buildings. The mist took pity on the fretted structures of earlier generations: the Post Office with its shingle-tortured mansard, the red brick minarets of hulking old houses, factories with stingy and sooted windows, wooden tenements colored like mud. The city was full of such grotesqueries, but the clean towers were thrusting them from the business center, and on the farther hills were shining new houses, homes—they seemed—for laughter and tranquillity. Over a concrete bridge fled a limousine of long sleek hood and noiseless engine. These people in evening clothes were returning from an all-night rehearsal of a Little Theater play, an artistic adventure considerably illuminated by champagne. Below the bridge curved a railroad, a maze of green and crimson lights. The New York Flyer boomed past, and twenty lines of polished steel leaped into the glare. In one of the skyscrapers the wires of the Associated Press were closing down. The telegraph operators wearily raised their celluloid eye-shades after a night of talking with Paris and Peking. Through the building crawled the scrubwomen, yawning, their old shoes slapping. The dawn mist spun away. Cues of men with lunch-boxes clumped toward the immensity of new factories, sheets of glass and hollow tile, glittering shops where five thousand men worked beneath one roof, pouring out the honest wares that would be sold up the Euphrates and across the veldt. The whistles rolled out in greeting a chorus cheerful as the April dawn; the song of labor in a city built—it seemed—for giants. II There was nothing of the giant in the aspect of the man who was beginning to awaken on the sleeping-porch of a Dutch Colonial house in that residential district of Zenith known as Floral Heights. His name was George F. Babbitt. He was forty-six years old now, in ...
