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Informationen zum Autor John Fleming is a 77-year-old retired academic. After completing his undergraduate degrees in politics and psychology, he completed his PhD at Griffith University in 1992 in philosophy and medical ethics.He was Foundation Director of Adelaide's Southern Cross Bioethics Institute, 1987-2004, a foundation member of UNESCO's International Bioethics Committee (1993-1996), and has served on many Federal and State government policy advisory committees in Australia. He was an elected delegate to the Australian Constitutional Convention (1998), a member of the Council of the National Museum of Australia, from 2003-2009, and Foundation President of Australia's first tertiary liberal arts college, Campion College, Old Toongabbie, Australia (2004-2009). He was a Corresponding Member of the Pontifical Academy for Life (Vatican) between 1996-2016. He is the author of nine books and many articles on bioethics and public policy. Klappentext With a thirty-year run of award-winning, critically acclaimed, and commercially successful plays, from Rosencrantz and Guildenstern Are Dead (1967) to The Invention of Love (1997), Tom Stoppard is arguably the preeminent playwright in Britain today. His popularity also extends to the United States, where his plays have won three Tony awards and his screenplay for Shakespeare in Love won the 1998 Academy Award for Best Original Screenplay.John Fleming offers the first book-length assessment of Stoppard's work in nearly a decade. He takes an in-depth look at the three newest plays (Arcadia,Indian Ink, and The Invention of Love) and the recently revised versions of Travesties and Hapgood, as well as at four other major plays (Rosencrantz,Jumpers,Night and Day, and The Real Thing). Drawing on Stoppard's personal papers at the University of Texas Harry Ransom Humanities Research Center (HRHRC), Fleming also examines Stoppard's previously unknown play Galileo, as well as numerous unpublished scripts and variant texts of his published plays.Fleming also mines Stoppard's papers for a fuller, more detailed overview of the evolution of his plays. By considering Stoppard's personal views (from both his correspondence and interviews) and by examining his career from his earliest scripts and productions through his most recent, this book provides all that is essential for understanding and appreciating one of the most complex and distinctive playwrights of our time. Zusammenfassung John Fleming offers the first book-length assessment of Tom Stoppard’s work in nearly a decade. Inhaltsverzeichnis AcknowledgmentsAnnotated Chronology of Stoppard's CareerIntroductionChapter 1: Career before Rosencrantz and GuildensternChapter 2: Rosencrantz and Guildenstern Are DeadChapter 3: GalileoChapter 4: JumpersChapter 5: TravestiesChapter 6: Examining Eastern Bloc RepressionChapter 7: Night and DayChapter 8: The Real ThingChapter 9: HapgoodChapter 10: ArcadiaChapter 11: Indian InkChapter 12: The Invention of LoveConclusionNotesBibliographyIndex...
