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Zusatztext "An interplay of serious thought and dazzling wit. . . . It's moving, it's funny, it's frightening . . . fiction at its best."— New York Times Book Review . "A marvelously entertaining performance . . . with enormous brio and e´lan.” — The New York Times “A novel of adultery . . . that is English, obsessive and dangerous. . . . There are all the wonderful aspects of love here: guilt, remorse, terror, denial. . . . Barnes has made talk an art.” — The Washington Post “It spirals eerily from jaunty high spirits into a deeper, more pensive realm that challenges perceptions of who we are, and how we change. . . . It has a perfectly modulated tone, shrewdly observed characters, and a cunning wisdom.” — Newsday Informationen zum Autor Born in Leicester in 1946, Julian Barnes is the author of nine novels, a book of stories, and a collection of essays. He has won both the Prix Médicis and the Prix Fémina, and in 1988 was made a Chevalier de l'Ordre des Arts et des Lettres. He lives in London. Klappentext In this powerfully affecting Flaubert's Parrot gives readers a brilliant take on the deceptions that make up the quivering substrata of erotic love. "An interplay of serious thought and dazzling wit. . . . It's moving, it's funny, it's frightening . . . fiction at its best."--New York Times Book Review. Zusammenfassung The bestselling, Booker Prize-winning author of The Sense of an Ending delivers “fiction at its best” ( The New York Times Book Review ) in an unforgettable novel about two best friends and the beautiful woman who comes between them. First there’s Stuart, stolid, conventional, but not quite so dull as he pretends to be. Then there is Oliver, his glamorous, epigrammatic best friend. And veering wildly between them is Gillian, the cryptic beauty who marries Stuart and then astonishes everyone by falling in love with Oliver. These three are at once the protagonists and the hilariously unreliable “eye-witnesses” of this funny, elegant, and affecting novel by bestselling author Julian Barnes, which reimagines the romantic triangle as a weapon whose edges cut like razor blades....
