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Informationen zum Autor Mariët Westermann is Director of the Institute of Fine Arts at New York University. A leading specialist in Netherlandish art, she is author of The Art of the Dutch Republic 1585-1718 and The Amusements of Jan Steen: Comic Painting in the Seventeenth Century . Klappentext Rembrandt van Rijn (1606-69), the son of a well-to-do miller from the university town of Leiden, was by the age of 26 Holland's most celebrated painter and has remained an artist of universal appeal. Rembrandt made his name in Amsterdam, capital of the newly independent Dutch Republic and, as the centre of a global trade empire, a magnet for merchants, writers and artists. No one understood its possibilities better than Rembrandt, or captured its personalities and landscapes more memorably. Whether tracing the highs and lows of Rembrandt's career or explaining the unique qualities of his work, Mariët Westermann's book is always lucid and perceptive. Based on the latest Rembrandt research, it demonstrates splendidly how a contextual study can stimulate the reader's delight in the art itself. Zusammenfassung Rembrandt van Rijn (1606-69), the son of a well-to-do miller from the university town of Leiden, was by the age of 26 Holland's most celebrated painter and has remained an artist of universal appeal. Rembrandt made his name in Amsterdam, capital of the newly independent Dutch Republic and, as the centre of a global trade empire, a magnet for merchants, writers and artists. No one understood its possibilities better than Rembrandt, or captured its personalities and landscapes more memorably. Whether tracing the highs and lows of Rembrandt's career or explaining the unique qualities of his work, Mariët Westermann's book is always lucid and perceptive. Based on the latest Rembrandt research, it demonstrates splendidly how a contextual study can stimulate the reader's delight in the art itself. Inhaltsverzeichnis Introduction: Rembrandt's faces. Becoming an artist! 1620-1631; portraitist of Amsterdam! 1631-1639; making history! 1631-1639; private interests! public paintings! 1939-1642; an art for connoisseurs! 1642-1654; the business of art I -Rembrandt's workshop and collection; the business of art II - financial failure! artistic independence; Rembrandt as a printmaker; painting against the grain! 1660-1669. Epilogue: Rembrandt and the roles of art. ...
