The Old Man and the Sea

Zusatztext “A beautiful tale, awash in the seasalt and sweat, bait and beer of the Havana coast. It tells a fundamental human truth: in a volatile world, from our first breath to our last wish, through triumphs and pitfalls both trivial and profound, what sustains us, ultimately, is hope.” — The Guardian   “His masterpiece... a perfect piece of work.” —Mario Vargas Llosa  “The old man embodies the ambition and courage it takes to live, and the need to redeem yourself again and again in your own eyes. When at last after ntold agonies you hook the prize, the achievement of a lifetime, the biggest damn fish out there…it falls apart. The story is about the fact that life ends—a hard-to-ignore truth that we spend our days ignoring. All you have is the moment, this moment.” —Abraham Verghese "Here is the master technician once more at the top of his form, doing superbly what he can do better than anyone else.” — The New York Times    Informationen zum Autor Ernest Hemingway did more to change the style of English prose than any other writer of his time. Publication of The Sun Also Rises and A Farewell to Arms immediately established Hemingway as one of the greatest literary lights of the twentieth century. His classic novel The Old Man and the Sea won the Pulitzer Prize in 1953. Hemingway was awarded the Nobel Prize for Literature in 1954. His life and accomplishments are explored in-depth in the PBS documentary film from Ken Burns and Lynn Novick, Hemingway . Known for his larger-than-life personality and his passions for bullfighting, fishing, and big-game hunting, he died in Ketchum, Idaho on July 2, 1961. Klappentext Hemingway's triumphant yet tragic story of an old Cuban fisherman and his relentless, agonizing battle with a giant marlin far out in the Gulf Stream combines the simplicity of a fable, the significance of a parable, and the drama of an epic. from The Old Man and the Sea He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish. In the first forty days a boy had been with him. But after forty days without a fish the boy's parents had told him that the old man was now definitely and finally salao, which is the worst form of unlucky, and the boy had gone at their orders in another boat which caught three good fish the first week. It made the boy sad to see the old man come in each day with his skiff empty and he always went down to help him carry either the coiled lines or the gaff and harpoon and the sail that was furled around the mast. The sail was patched with flour sacks and, furled, it looked like the flag of permanent defeat. The old man was thin and gaunt with deep wrinkles in the back of his neck. The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords. But none of these scars were fresh. They were as old as erosions in a fishless desert. Everything about him was old except his eyes and they were the same color as the sea and were cheerful and undefeated. "Santiago," the boy said to him as they climbed the bank from where the skiff was hauled up. "I could go with you again. We've made some money." The old man had taught the boy to fish and the boy loved him. "No," the old man said. "You're with a lucky boat. Stay with them." "But remember how you went eighty-seven days without fish and then we caught big ones every day for three weeks." "I remember," the old man said. "I know you did not leave me because you doubted." "It was papa made me leave. I am a boy and I must obey him." "I know," the old man said. "It i...

Product details

• Authors: Ernest Hemingway
• Publisher: Scribner UK
• Languages: English
• Product format: Paperback / Softback
• Released: 01.05.1995
• EAN: 9780684801223
• ISBN: 978-0-684-80122-3
• Dimensions: 134 mm x 204 mm x 5 mm
• Series: Scribner
• Subject: Fiction > Narrative literature